Characteristic features of the box are dead souls. Characteristics of the Box in the poem "Dead Souls": description of appearance and character in quotes. Korobochka's speech in the poem "Dead Souls"

A poor landowner, a "collegiate registrar" Korobochka lives quietly in her small house, and her whole life is filled only with worries about the household. The narrow yard of Korobochka is full of birds and all sorts of other domestic creatures, and behind the yard are spacious gardens in which there are fruit trees, “covered with nets to protect against magpies and sparrows.” Her village is “not small” and is kept in order. The box knows the prices for honey, bacon and hemp, and it knows well when it is possible to sell them more profitably.

The box is extremely limited. She knows how to save forty fruit trees from sparrows, but she can’t figure out what it took
Chichikov "dead souls", especially since she does not see any use in them. Chichikov rightly calls her "strong-headed" and "club-headed." Not understanding Chichikov's plans, she nevertheless perfectly understands that it is unprofitable to pay taxes for the dead, and in the end she makes a deal. Constantly complaining about crop failures and losses, Korobochka, meanwhile, is gaining a little money in motley bags. In one of them, she selects "solid coins", in the other - "fifty dollars", in the third - "quarters" and hides them in a chest of drawers, in which, at first glance, there is nothing but linen and night blouses.
The box is ignorant and extremely superstitious. She, for example, has no doubt that "if you guess on the cards after a prayer," then you will definitely dream of a "cursed" one with long "bull horns."

The primitiveness of this "poor widow" is reflected in her manner of speaking. With primitive simplicity, she declares to Chichikov: “Oh, my father, but you, like a boar, have mud all over your back and side!” When Chichikov, buying dead souls, could not stand it and began to raise his tone, she exclaimed in fear: “Oh, what zabranki you are doing!”
Patriarchy emanates from Korobochka's home environment. There are more and more antique objects in her rooms: a portrait of an old man with red cuffs on his uniform, “the ones they sewed under Pavel Petrovich”, small antique mirrors with dark frames, an old clock with a hiss instead of a strike, an old deck of cards. There is not even a faint hint of a living life and serious interests in anything.

But, perhaps, Korobochka, with its narrow-mindedness and ignorance, is only a rare occurrence in the provincial wilderness?
Gogol sadly concludes: no. Korobochka's wretchedness, passion for money, greed, selfishness, stupidity and ignorance are traits that are typical not only for Korobochka, but also for various strata of the ruling class in general, for its top. “Perhaps,” writes Gogol, “you will even begin to think: yes, it’s enough, does Korobochka really stand so low on the endless ladder of human perfection? » Gogol emphasizes by this the broad typicality of Korobochka.

Nastasya Petrovna Korobochka is a landowner, the widow of a collegiate secretary, a very economical and thrifty elderly woman. Her village is not large, but everything in it is in order, the economy is flourishing and, apparently, brings a good income. Korobochka compares favorably with Manilov: she knows all her peasants (“... she didn’t keep any notes or lists, but knew almost all of them by heart”), speaks of them as good workers (“all the glorious people, all the workers” Here and further cit. . according to the ed.: Gogol N.V. Collected works in eight volumes. - (Library "Ogonyok": domestic classics) - V.5. "Dead souls". Volume one. - M., 1984.), she is engaged in housekeeping - “she fixed her eyes on the housekeeper”, “little by little she all moved into economic life”. Judging by the fact that when she asks Chichikov who he is, she lists those people with whom she constantly communicates: an assessor, merchants, an archpriest, her circle of contacts is small and is connected mainly with economic affairs - trade and payment of state taxes.

Apparently, she rarely travels to the city and does not communicate with her neighbors, because when asked about Manilov, he answers that there is no such landowner, and he names old noble families that are more appropriate in the classic comedy of the 18th century - Bobrov, Kanapatiev, Pleshakov, Kharpakin. In the same row is the surname Svinin, which draws a direct parallel with Fonvizin's comedy "Undergrowth" (mother and uncle of Mitrofanushka - Svinin).

The behavior of Korobochka, her address to the guest as “father”, the desire to serve (Chichikov called himself a nobleman), to treat, arrange for the night as best as possible - all these are characteristic features of the images of provincial landowners in the works of the 18th century. Mrs. Prostakova behaves in the same way when she finds out that Starodum is a nobleman and accepted at court.

Korobochka, it would seem, is pious, in her speeches there are constantly sayings and expressions characteristic of a believer: “The power of the cross is with us!”, “It is clear that God sent him as a punishment,” but there is no special faith in it. When Chichikov persuades her to sell the dead peasants, promising a profit, she agrees and begins to "calculate" the profit. The confidant of Korobochka is the son of the archpriest, who serves in the city.

The only entertainment of the landowner, when she is not busy with the household, is fortune-telling on the cards - “I thought it was for the night to guess on the cards after prayer ...”. And she spends her evenings with a maid.

The portrait of Korobochka is not as detailed as the portraits of other landowners and is, as it were, stretched out: at first, Chichikov hears the "hoarse woman's voice" of the old maid; then “again some woman, younger than the former, but very similar to her”; when he was escorted into the rooms and he had time to look around, the lady came in - "an elderly woman, in some kind of sleeping cap, put on hastily, with a flannel around her neck, ...". The author emphasizes the old age of Korobochka, then Chichikov to himself directly calls her an old woman. The appearance of the hostess in the morning does not change much - only the sleeping cap disappears: “She was dressed better than yesterday, in a dark dress ( widow!) and no longer in a sleeping cap ( but on the head, apparently, there was still a cap - daytime), but there was still something imposed on the neck "( fashion of the end of the 18th century - fichu, i.e. a small scarf that partially covered the neckline and the ends of which were removed into the neckline of the dress See Kirsanova R.M. Costume in Russian artistic culture of the 18th - first half of the 20th centuries: Encyclopedia Experience / Ed. T.G. Morozova, V.D. Sinyukova. - M., 1995. - P. 115).

The author's characterization, which follows the portrait of the hostess, on the one hand emphasizes the typical nature of the character, on the other hand, gives an exhaustive description: “one of those mothers, small landowners who cry for crop failures ( it is with words about crop failure and bad times that the business conversation between Korobochka and Chichikov begins), losses and keep your head a little to one side, but meanwhile they are gradually gaining money in motley motley - a fabric from the remnants of yarn of various kinds, homespun cloth (Kirsanova) bags placed in drawers of chests of drawers. All the banknotes are taken into one bag, fifty dollars into another, quarters into the third, although it seems as if there is nothing in the chest of drawers except linen, night blouses, cotton hanks, and a ripped overcoat Salop - outerwear made of fur and rich fabrics, out of fashion by 1830; the name "salopnitsa" has an additional connotation of "old-fashioned" (Kirsanova). Apparently, for this purpose, Gogol mentions the coat as an indispensable attribute of such landowners, who then turn into a dress if the old one somehow burns out during the baking of holiday cakes with all sorts of pryazhets. - to another, bake. or poizotretsya itself. But the dress will not burn and will not be worn out by itself; thrifty old woman ... ". Korobochka is exactly like that, so Chichikov immediately does not stand on ceremony and gets down to business.

An important role in understanding the image of the landowner is played by the description of the estate and the decoration of the rooms in the house. This is one of the methods of characterization that Gogol uses in Dead Souls: the image of all landowners is made up of the same set of descriptions and artistic details - the estate, rooms, interior details or significant objects, an indispensable feast (in one form or another - from a full dinner , like Sobakevich’s, before Plyushkin’s offer of Easter cake and wine), the manners and behavior of the owner during and after business negotiations, attitude towards an unusual transaction, etc.

Korobochka's estate is distinguished by its strength and contentment, it is immediately clear that she is a good hostess. The courtyard, on which the windows of the room look out, is filled with birds and "every domestic creature"; further on, vegetable gardens with “household vegetables” are visible; fruit trees are covered with nets from birds, stuffed animals on poles are also visible - “one of them was wearing the cap of the hostess herself.” Peasant huts also show the prosperity of their inhabitants. In a word, Korobochka's economy is clearly prosperous and brings sufficient profit. And the village itself is not small - eighty souls.

The description of the estate is divided into two parts - at night, in the rain, and during the day. The first description is scarce, motivated by the fact that Chichikov drives up in the dark, during heavy rain. But in this part of the text there is also an artistic detail, which, in our opinion, is essential for further narration - the mention of the external villa of the house: “stopped<бричка>in front of a small house, which was difficult to see through the darkness. Only one half of it was illuminated by the light coming from the windows; there was still a puddle in front of the house, which was directly hit by the same light. Chichikova also encounters the barking of dogs, which indicates that "the village was decent." The windows of the house are a kind of eyes, and the eyes, as you know, are the mirror of the soul. Therefore, the fact that Chichikov drives up to the house in the dark, only one window is lit and the light from it falls into a puddle, most likely speaks of the scarcity of inner life, of focusing on one side of it, of the earthiness of the aspirations of the owners of this house.

The "daytime" description, as mentioned earlier, emphasizes precisely this one-sidedness of Korobochka's inner life - the focus only on economic activity, prudence and thrift.

In a brief description of the rooms, first of all, the antiquity of their decoration is noted: “the room was hung with old striped wallpaper; pictures with some birds; between the windows there are small antique mirrors with dark frames in the form of curled leaves; behind every mirror there was either a letter, or an old pack of cards, or a stocking; wall clock with painted flowers on the dial…”. Two features clearly stand out in this description - linguistic and artistic. First, the synonyms "old", "old" and "old" are used; secondly, the set of objects that catch Chichikov's eye during a brief inspection also indicates that the people living in such rooms are more turned to the past than to the present. It is important that flowers are mentioned here several times (on the clock face, leaves on the frames of the mirrors) and birds. If we recall the history of the interior, we can find out that such a “design” is typical of the Rococo era, i.e. for the second half of the 18th century.

Further in the episode, the description of the room is supplemented by one more detail that confirms the “oldness” of Korobochka’s life: Chichikov discovers two portraits on the wall in the morning - Kutuzov and “some old man with red cuffs on his uniform, as they sewed under Pavel Petrovich

In a conversation about the purchase of "dead" souls, the whole essence and character of the Box is revealed. At first, she cannot understand what Chichikov wants from her - the dead peasants have no economic value, therefore they cannot be sold. When she realizes that the deal can be beneficial for her, then bewilderment is replaced by another - the desire to get the maximum benefit from the sale: after all, if someone wants to buy the dead, therefore, they are worth something and are the subject of bargaining. That is, dead souls become for her on a par with hemp, honey, flour and lard. But she has already sold everything else (as we know, quite profitably), and this business is new and unknown to her. The desire not to sell too cheap works: “I began to be very afraid that this bidder would somehow cheat on her”, “I am afraid at first, so as not to somehow incur a loss. Maybe you, my father, are deceiving me, but they… they are somehow worth more”, “I’ll wait a little, maybe merchants will come in large numbers, but I’ll apply to prices”, “somehow they will be needed on the farm in case ...”. With her obstinacy, she infuriates Chichikov, who was counting on an easy consent. This is where the epithet arises, which expresses the essence of not only Korobochka, but the whole type of such people - “club-headed”. The author explains that neither rank nor position in society are the cause of such a property, “clubhead” is a very common phenomenon: “a different and respectable, and even a statesman. but in fact it turns out a perfect box. As soon as you hack something into a baby's head, you can't overpower him with anything; no matter how many arguments you present to him, clear as day, everything bounces off him, like a rubber ball bounces off a wall.

Korobochka agrees when Chichikov offers her another deal that is understandable to her - government contracts, that is, a state supply order, which was well paid and was beneficial for the landowner with its stability.

The author ends the auction episode with a generalized discussion about the prevalence of this type of people: “Does Korobochka really stand so low on the endless ladder of human perfection? How great is the abyss separating her from her sister, inaccessibly fenced by the walls of an aristocratic house with fragrant cast-iron stairs, shining copper, mahogany and carpets, yawning over an unfinished book in anticipation of a witty secular visit, where she will have a field to show off her mind and express her outspoken thoughts that, according to the laws of fashion, occupy the city for a whole week, thoughts not about what is happening in her house and on her estates, confused and upset due to ignorance of economic affairs, but about what political upheaval is being prepared in France, what direction fashionable Catholicism has taken ". Comparing the economic, thrifty and practical Korobochka with a worthless secular lady makes one wonder what is Korobochka's "sin", is it only her "clubhead"?

Thus, we have several grounds for determining the meaning of the image of the Box - an indication of its "club-headedness", i.e. stuck on one thought, inability and inability to consider the situation from different angles, limited thinking; comparison with the habitually confirmed life of a secular lady; the clear dominance of the past in everything related to the cultural components of human life, embodied in fashion, interior design, speech and etiquette in relation to other people.

Is it a coincidence that Chichikov gets to Korobochka after wandering along a dirty and dark road, at night, during the rain? It can be assumed that these details metaphorically reflect the nature of the image - the lack of spirituality (darkness, rare reflections of light from the window) and aimlessness - in spiritual and moral terms - of its existence (a confusing road, by the way, the girl who escorts Chichikov to the main road confuses right and left). Then the logical answer to the question about the "sin" of the landowner will be the absence of the life of the soul, the existence of which has collapsed to one point - the distant past, when the dead husband was still alive, who loved to scratch his heels before going to bed. The clock that hardly strikes the appointed hour, the flies that wake Chichikov in the morning, the intricacies of the roads to the estate, the absence of external contacts with the world - all this confirms our point of view.

Thus, the Box embodies a state of mind in which life collapses to a single point and remains somewhere far behind, in the past. Therefore, the author emphasizes that Korobochka is an old woman. And no future is possible for it, therefore, to be reborn, i.e. unfold life to the fullness of being, she is not destined.

The reason for this lies in the initially unspiritual life of a woman in Russia, in her traditional position, but not social, but psychological. Comparison with a secular lady and details about how Korobochka spends her “free time” (fortune-telling on cards, household chores) reflect the absence of any intellectual, cultural, spiritual life. Further in the poem, the reader will meet with an explanation of the reasons for this state of a woman and her soul in Chichikov’s monologue after meeting with a beautiful stranger, when the hero discusses what happens to a pure and simple girl and how “rubbish” turns out of her.

The “clubhead” of Korobochka also gets the exact meaning: it is not excessive practicality or commercialism, but the limitedness of the mind, which is determined by a single thought or belief and is a consequence of the general limitedness of life. And it is the “club-headed” Korobochka, who never left the thought of a possible deception on the part of Chichikov and who comes to the city to ask “how much the dead souls are now”, becomes one of the reasons for the collapse of the hero’s adventure and his rapid flight from the city.

Why does Chichikov get to Korobochka after Manilov and before meeting Nozdrev? As mentioned earlier, the sequence of images of landowners is built along two lines. The first one is descending: the degree of "sin" in each subsequent case is becoming more and more difficult, the responsibility for the state of the soul increasingly lies with the person himself. The second is ascending: how possible is it for a character to resurrect life and “resurrect” the soul?

Manilov lives quite “openly - he appears in the city, attends evenings and meetings, communicates, but his life is like a sentimental novel, which means it is illusory: he is very similar in appearance, reasoning, and attitude towards people of the hero of sentimental and romantic works, fashionable at the beginning of the 19th century. One can guess about his past - a good education, a short public service, resignation, marriage and life with his family on the estate. Manilov does not understand that his existence is not connected with reality, therefore, he cannot realize that his life is not going the way it should. If we draw a parallel with Dante's Divine Comedy, then it is more like sinners of the first circle, whose sin is that they are unbaptized babies or pagans. But the possibility of rebirth is also closed to him for the same reason: his life is an illusion, and he does not realize it.

The box is too immersed in the material world. If Manilov is entirely in fantasies, then she is in the prose of life, and intellectual, spiritual life is reduced to habitual prayers and the same habitual piety. The fixation on the material, on the benefit, the one-sidedness of her life is worse than Manilov's fantasies.

Could Korobochka's life have turned out differently? Yes and no. The influence of the surrounding world, society, circumstances left their mark on her, made her inner world the way it is. But there was still a way out - sincere faith in God. As we will see later, it is true Christian morality, from Gogol's point of view, that is the saving force that keeps a person from spiritual fall and spiritual death. Therefore, the image of Korobochka cannot be considered a satirical image - one-sidedness, “club-headedness” no longer evokes laughter, but sad reflections: “But why, among unthinking, cheerful, careless minutes, another wonderful stream will suddenly sweep by itself: laughter has not yet had time to completely escape from the face , but already became different among the same people, and already a different light lit up the face ... "

A further meeting with Nozdryov - a swindler, a brawler and a rogue - shows that dishonor, a readiness to do nasty things to one's neighbor, sometimes for no reason at all, and excessive activity that has no purpose can be worse than the one-sidedness of life. In this regard, Nozdryov is a kind of antipode of Korobochka: instead of the one-sidedness of life - excessive dispersion, instead of servility - contempt for any conventions, up to the violation of elementary norms of human relations and behavior. Gogol himself said: "... One after another, my heroes follow one more vulgar than the other." Vulgarity is a spiritual fall, and the degree of vulgarity in life is the degree of the triumph of death over life in the human soul.

So, the image of Korobochka reflects a common, from the author's point of view, type of people who limit their lives to only one area, who "rest against their foreheads" in one thing and do not see, and most importantly - do not want to see - anything that exists apart from the subject of their attention. Gogol chooses the material sphere - taking care of the economy. The box achieves in this area a sufficient level for a woman, a widow, who has to manage a decent-sized estate. But her life is so concentrated on this that she has no other interests and cannot have any. Therefore, her real life remains in the past, and the present, and even more so the future, is not life. but only existence.

Among the landowners visited by the protagonist of Gogol's poem, Pavel Ivanovich Chichikov, in search of his unusual acquisition, there was one woman.

The image and characteristics of the Box in the poem "Dead Souls" allow us to imagine how they lived in the deep, hidden territories of Russia of the past, way of life and traditions.

The image of the heroine

Pavel Ivanovich Chichikov came to the landowner Korobochka by chance. He lost his way when he tried to visit Sobakevich's estate. Terrible bad weather forced the traveler to ask for an overnight stay in an unfamiliar estate. The rank of a woman is a collegiate secretary. She is a widow living on her estate. There is some autobiographical information about the woman. It is not known if she has children, but it is certain that her sister lives in Moscow. Korobochka is going to her after Chichikov's departure. The old landowner maintains a small household: about 80 souls of peasants. The author describes the hostess and the peasants living in the village.

What is special about the character of the heroine:

The ability to save. A small landowner puts the money into bags, puts them in a chest of drawers.

Stealth. Nastasya Petrovna does not talk about her wealth. She pleads, trying to arouse pity. But the purpose of this feeling is to raise the price of the product offered.

Courage. The landowner confidently goes to court with requests to solve her problems.

The box sells what its peasants are busy with: honey, feathers, hemp, lard. The woman is not surprised by the desire of the guest to buy the souls of people who have gone to the afterlife. She is afraid to sell cheap. Faith and unbelief intertwined in the landowner. Moreover, two opposite feelings are connected so tightly that it is difficult to determine where the line is. She believes in God and the devil. The landowner lays out the cards after the prayer.

Household of Nastasya Petrovna

A lonely woman manages better than the men encountered in the poem. The description of the village does not frighten, like in Plyushkin, it does not surprise, like in Manilov. The gentlemen's house is neat. It is small but strong. Dogs greet guests with barks and warn their owners. The author describes the houses of the peasants:

huts are strong;
scattered scattered;
are constantly being repaired (the worn-out tes is changed to a new one);
strong gate;
spare carts.

Korobochka looks after her house and the huts of the peasants. In the estate, everyone is busy with business, there are no those who wander between the houses. The landowner knows exactly when, for which holiday bacon, hemp, flour or cereals will be ready. Despite her narrow-minded mind, the seeming stupidity of Nastasya Petrovna is businesslike and lively, aimed at profit.

village peasants

Chichikov examines the peasants with interest. These are strong living men and women. There are several characters in the village. Each in a special way complements the image of the hostess.

The maid Fetinya masterfully fluffs the feather beds, making them so cozy that the guest slept longer than usual.

The yard peasant woman opened the gate at night, not being afraid of uninvited guests. She has a hoarse voice and a strong figure, hidden under the coat.

The yard girl Pelageya shows Chichikov the way back. She runs barefoot, which makes her feet covered in mud and look like boots. The girl is uneducated, and for her there is not even an understanding of right, left. She shows with her hands where the cart should go.

Dead Souls

The peasants who sell Korobochka have amazing nicknames. Some of them complement the characteristics of a person, others are simply invented by the people. All the nicknames are in the memory of the hostess, she sighs and regretfully lists them to the guest. The most unusual:

Disrespect-Trough;
cow brick;
Wheel Ivan.

The box takes pity on everyone. The skillful blacksmith burned down like coal on a drunk. All were nice workers, it is difficult to add them to the list of Chichikov's nameless purchase. Dead souls Boxes are the most alive.

character image

There is a lot of typical stuff in the description of the Box. The author believes that there are many such women in Russia. They don't evoke sympathy. Gogol called the woman "club-headed", but in her there is no difference from the stiff, educated aristocrats. Korobochka's frugality does not evoke affection; on the contrary, everything in her household is modest. Money settles in bags, but does not bring novelty to life. Around the landowner a huge number of flies. They personify stagnation in the soul of the hostess, in the world around her.

The landowner Nastasya Petrovna Korobochka cannot be changed. She chose the path of hoarding, which does not make sense. The life of the estate takes place away from real feelings and events.

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The image of the landowner Nastasya Petrovna Korobochka successfully complements the collage of characteristic types of landowners. It cannot be said that she is endowed with negative qualities, but she cannot be ranked among pleasant personalities either.

Despite the complexity of her personality, against the background of all the other landowners, she looks like one of the most attractive in terms of housekeeping and attitude towards serfs.

Personality characteristic

We do not know what Korobochka was like in her youth; in the story, Gogol is limited to an episodic description of her character at a certain time slice, bypassing the entire process of its formation.

Dear readers! On our site you can read about the poem “Dead Souls” described in the poem by Nikolai Vasilyevich Gogol.

The box is noticeably distinguished by frugality and a penchant for order. In her estate, everything is in good order - however, the things used both in everyday life and in the interior of the landowner are not new, but this does not bother the old woman. With particular pleasure, she complains about everything in the world - bad harvests, lack of money, although, in fact, everything is not so deplorable: “one of those mothers, small landowners who cry for crop failures, losses and keep their heads somewhat In this way, little by little, money is collected in motley bags placed in drawers of chests of drawers.

Nastasya Petrovna is not distinguished by an extraordinary mind - the aristocrats surrounding her consider her a stupid old woman. This is true - Korobochka is really a stupid and uneducated woman. The landowner is distrustful of everything new - first of all, in the actions of people, she seeks to see some kind of catch - in this way she "saves" herself from trouble in the future.

The box is notable for its special stubbornness, it refers to those people who “as soon as you hack something into your head, you can’t overpower him with anything; no matter how you present him with arguments, clear as day, everything bounces off him, like a rubber ball bounces off a wall.

Nastasya Petrovna is a controversial nature - on the one hand, she is attached to religion (believes in the existence of God and the devil, prays and is baptized), but at the same time she does not neglect fortune telling on cards, which is not encouraged by religion.

Family

It is difficult to say something about the Korobochka family - Gogol provides too little information on this matter. It is reliably known that Nastasya Petrovna was married, but her husband died and at the time of the story she is a widow. It is likely that she has children, most likely due to the age of the landowner and Chichikov's lack of memories of the presence of children in the house, they are already adults and live separately. Their names, age and gender are not specified in the text. The only mention of them is found together with the mention of Korobochka's sister, who lives in Moscow: "my sister brought warm boots for children from there: such a durable product, it is still worn."

Manor Boxes

The manor and Korobochka's house - oddly enough, among all the houses of landlords, it looks like one of the most attractive. It should be clarified that such an assessment does not concern the aesthetic appearance, but the state of the estate. The village of Korobochki is notable for its well-maintained houses and buildings: dilapidated elements of peasant houses were replaced with new ones, the gates to the estate were also repaired. Houses and buildings do not look as massive as those of Sobakevich, but they are not of particular aesthetic value either. Korobochka owns about 80 serfs.

This number is noticeably inferior to the rich landowners of the county, such as Plyushkina, but this does not significantly affect the income of the estate. Chichikov was pleasantly surprised by the state of the village: "You have a good village, mother."

Korobochka's household also pleasantly surprises with its diversity and well-groomedness. The box successfully sells vegetables and fruits. She has “gardens with cabbage, onions, potatoes, beets and other household vegetables. Apple trees and other fruit trees were scattered here and there in the garden.

You can also observe a variety of grown cereals. In addition, Korobochka is confidently engaged in animal husbandry - she also has various birds (“There were no number of turkeys and chickens; a rooster walked between them” and pigs. Korobochka is engaged in beekeeping and grows hemp for sale for the production of ropes and ropes.

Box House

The House of the Box is not distinguished by pomp or grace. The house is guarded by a pack of dogs that react violently to all strangers, so, for example, when Chichikov arrived, the dogs "filled with all possible voices." It is small in size, its windows overlook the courtyard, so it is impossible to admire the view from the window. The roof of the house is wooden, Chichikov, who came to Korobochka in the rain, noted that raindrops were loudly knocking on his roof. A barrel was placed near the drain, in which rainwater was collected.

Since Chichikov arrived at Korobochki's estate in the evening, and also in bad weather, it was impossible to find out about the nuances of the appearance of the landowner's house.

On our website you can read about the poem by Nikolai Vasilyevich Gogol "Dead Souls".

The inside of the house was not attractive. The wallpaper there was old, however, like all the furniture. Pictures hung on the walls - “the pictures were not all birds: between them hung a portrait of Kutuzov and some old man painted in oils with red cuffs on his uniform, as they sewed under Pavel Petrovich.” The decor was complemented by mirrors, “with dark frames in the form of curled leaves”, behind which were placed all sorts of necessary little things in the form of a letter or a stocking. The watches made a special impression - they also did not differ in novelty, and the sounds made by them were similar to the hissing of snakes. The clock struck no less unpleasantly: "as if someone were beating a broken pot with a stick."

Attitude towards peasants

The number of Korobochka's serfs is not so great - about 80 people. The lady knows them all by name. Korobochka is always actively engaged in the affairs of her estate and takes a direct part in all the works. It is impossible to find descriptions of the attitude towards the peasants in the text, but the way the landowner describes her dead souls suggests that Korobochka does not have a bad attitude towards the serfs.

Since the last census, she has accumulated 18 "dead souls". According to the landowner, they were good people, they regularly did their job and worked hard. The box is sincerely sorry that they died. Especially Koval, who burned down the other day from alcohol - he was a good worker.

In appearance, the peasants of Korobochka are also noticeably different - all the men whom Chichikov managed to see were of a strong physique, stocky and endowed with exorbitant strength.

The image of Nastasya Petrovna Korobochka is one of the most attractive and controversial. On the one hand, she is a caring mistress of her estate. Korobochka, to the best of reason, takes care of her peasants. All the buildings on her estate, although not new, have been qualitatively repaired, and the fortresses do not look downtrodden. On the other hand, the old woman does not have the most pleasant character - she is stupid and limited, likes to constantly complain, which tires her interlocutor.