Yulia Vysotskaya cut her hair bald - why, for what purpose, reasons? How are you? Yulia Vysotskaya shaved her head for the filming of the film "Paradise" Yulia Vysotskaya new image bald why
Russian news. The actress, TV presenter and author of cookery books appeared in an unusual way. Yulia Vysotskaya has been faithful to her image for many years: medium-length blond hair, the actress preferred to wear it loose or gathered in a ponytail.
As suggested by some publications, Julia parted with her hair for the sake of her role in the new historical drama of her husband, director Andrei Konchalovsky.
New haircut Yulia Vysotskaya
Since Yulia Vysotskaya herself does not comment on her decision, cardinal changes in the appearance of the actress are overgrown with rumors. Increasingly, there are comments that this is due to the deterioration of the condition of Mary's daughter. Fans of Julia's programs noticed that " she has lost a lot of weight and looks tired».
Konchalovsky himself was driving the car on that tragic day. He lost control, the car drove into the oncoming lane and collided with a car moving towards him. Then the 14-year-old girl received a serious head injury. From the scene of the accident, she was taken by helicopter to a hospital in Marseille.
The family of Andrei Konchalovsky remained silent for a long time.
To stop speculation about their family tragedy, the couple made short comments several times about the girl's condition.
Yulia Vysotskaya decided on a frank interview a year and a half later. The woman admitted: since the accident, her life has completely turned upside down. The Vysotskaya family fenced themselves off from the world, during which time Yulia lost many friends and acquaintances. Some have “fallen away” because she now leads a completely different way of life - not secular, closed from everyone. Others showed the liveliest participation.
Vysotskaya admitted that she does not blame her husband for what happened. Andrei Sergeevich is going through an incredibly difficult period in the life of his family in his own way. Goes to work: deals with scripts, lectures to students.
Yulia Vysotskaya spoke about how she feels without hair, and about life with her husband Andrey Konchalovsky
I had no idea that I would be shaved bald. Andrei Sergeevich waved away for several months and said indifferently: “Ah, you cut your hair, you’ll see,” Yulia Vysotskaya comes to me for an interview at the Bolshoy restaurant in a mustard-colored Enfants Riches Déprimés T-shirt with holes (“each hole costs three hundred euros”) , skinny piping jeans, a gray Loro Piana coat and a bowler hat to match the T-shirt. But I know that under her hat is not “you will see it there”, but the most natural boxing. Both of us are worried: Yulia will live with this box, rehearse in the theater, pick up Petya from school, cook minestrone in front of the whole country, and Tatler - shoot the cover. As my boss joked, "bald women are Vogue territory, at Tatler everyone is long-haired and cheerful."
Since our last meeting, Yulia has lost even more weight, her cheekbones have become sharper, but it turned out not to be a tin soldier, ready to fall and wring out Jane, but a gentle, fragile and defenseless soldier. I notice how similar she became to Andrei Sergeevich. “It seems to me that we have always been alike,” agrees Vysotskaya, slowly stirring tea with thyme with a spoon. - He likes such a Mongolian, bony, "spread" type of women. See how young Lena Koreneva resembles Shirley MacLaine - one face.
In the film "Paradise", which was actually planned to be shot in 2016, but a grant was received from the Ministry of Culture and it became impossible to pull, Yulia plays Olga Kamenskaya. A Russian emigrant, a member of the French Resistance, ends up in a concentration camp for hiding Jewish children. The plot is written off from the real story of Princess Obolenskaya, who lived in Paris, but by the will of the co-author of the script, Elena Kiseleva, it was overgrown with fictional meat.
Konchalovsky disposed of the money of the ministry and the Rossiya TV channel carefully, but without prejudice to artistic truth. Camp barracks were built in a hangar near Moscow, Italy of the thirties was discovered in Yalta: “I think it would be difficult to find such pure Mussolini architecture in Italy as in the Crimea, but here everything is real - columns, cypresses, pools ...” Himmler’s headquarters is known, that the Reich Minister of the Interior of Germany had an incredibly beautiful bathroom - he successfully depicted the acting, equipped with no less excellent plumbing, the castle of the "pencil" family of Faber-Castell in Nuremberg.
The actress was sewn three dresses - two for the Crimea, one for France, the rest was found at Mosfilm. But “when French wine was poured in the frame, it was French wine. When they drank champagne - it was exactly that champagne, not sparkling, not asti spumante, ”says Yulia, who does not tolerate falsehood either in the kitchen or anywhere else. The artists were not hidden under a thick layer of makeup - everyone was transparent and natural. With such an increased level of sincerity, nature and emotions had to be genuine. So - we shave a beautiful woman bald in the finale, and that's it.
On the penultimate day of filming, she sat down in the make-up chair in the hope that she would carry it through and be just short - she cut her hair once in the film “House of Fools”, and she liked it so much that after a couple of months, when everything had already grown, she returned to her beloved master Nina Kolodkina with a request: "Ninochka, you can do it again." But the director Konchalovsky during the filming is not "Ninochka", not a husband, and not even a man, but Adam and co-author, with whom they sculpt the heroine together. He ordered: "Machine." Julia closed her eyes and dived.
I then asked Andrei Sergeevich how long he had hatched a treacherous plan. Slyly squinting, the seventy-seven-year-old handsome streamlinedly says that he never felt entitled to dictate to his wife, with whom he has been together for twenty years, how she should look. He knows how responsibly Julia treats her appearance. How important it is for a woman to think that she looks good. Therefore, I did not scare at the start. But yes, I knew that it was necessary to be bald - to feel naked and defenseless. Perhaps much more naked than when completely naked.
“It takes colossal courage and courage to dive into a role like this,” Konchalovsky is proud, and we both know that Yulina's courage and courage are meant for a single director. She wouldn't undress for anyone else. She didn't pretend to love someone else. And I would refuse to die. And for him - as much as necessary.
“The German actor Jacob Dale, Yasha, played with us,” Vysotskaya tells me quite calmly. - He graduated from the conservatory, department of composing art. He prepared himself for a career as a violinist. The thinnest person. So, he fell in love with Konchalovsky so much that he could not leave the site. All the scenes have already ended, and he sticks out in Moscow. Leaving, Yasha said: "I hate you all, because you still have work in this film."
Vysotskaya compares the atmosphere on the set with a binge - her adored Andrey Sergeyevich managed to create an unprecedented funnel in which everyone was spinning. In 2002, after the House of Fools, Natalya Andreichenko warned her: “Oh, look, it will be hard, depression will begin.” Then it didn't start. And now Julia is looking into the future with unpleasant fear. And she can’t even fully realize that she was left without hair.
“You see, shaving at forty-two is not at all the same as at twenty-eight. You lose - I don’t even know how to call it correctly ... Well, let’s say I wake up - somewhere swollen, tired, tortured, bruised, bags. I think it’s okay, now I’ll breathe, I’ll disperse everything, I’ll put something on my head - I fell in love with romantic curls after “Three Sisters”. Now what should I do?
The conversation smoothly flows to the eternal, that is, feminine. Yes, on the cover of the January Russian Vogue there was model Cuba Scott - the bald granddaughter of Ridley Scott. And at the Saint Laurent show, the main star of the lineup was Hedi Slimane's favorite Ruth Bell, cut to zero. At Tod's, the Venturini sisters with bob haircuts went, at Louis Vuitton - Tami Glocer in about the same guise. The trend is a trend, but Vysotskaya and I agree that for a woman, hair and good styling are still the best anti-age cream in the world, guaranteed minus five years, and it is very disturbing to live without this cream.
Rather, proof that with this director I can go all the way.
Julia speaks with rapture about her Konchalovsky. About the fact that he, an intellectual and eclectic master (it’s hard to realize that The First Teacher, Siberiad and White Nights of the Postman Tryapitsyn were shot by the same person), in the film Paradise he allowed himself an unprecedented degree of freedom . The angles, the states of the artists - everything is unexpected, but logical for him. By the end of the shooting, the operators complained: “We are afraid, returning home at midnight, to open the mail, because there will certainly be new pages.” But Julia never complains - she says that she is married to a man who is both strict and understanding. And if she screams on the set: “Leave me, you don’t help me, you knock me out, I can’t do it anymore!”, Then he knows that she is fighting, because she is on the way “there, to the highest directorial truth.” Only once, when Yulia said in a slightly firmer tone: “I won’t wear this dress,” he quietly took her by the elbow and took her aside: “This is not the tone that an actress should use to talk to a director.”
In general, he is the greatest manipulator. Here, for example, there is a break, the camera is turned off, he explains something to the artists, their eyes fill with tears, and suddenly he whispers, pushing the operator under the ribs: “We are filming, filming.” It seems to be on the same wavelength with the actors, crying with them, and he himself: "Let's, let's shoot." Yesterday I attended a lecture by Tatler columnist Alexei Sitnikov. He patiently explained why men seek the love of new women. Because they want admiration. And you need to try to admire a man, even if you listen to a joke about “you have to force yourself” performed by him for the hundredth time. Konchalovsky never jokes a hundred times - he generously gives you the opportunity to read yourself in a new way, to fall in love again, to respect with greater force.
Yes, of course, - Julia agrees. “But he needs the woman to be a separate being. Not by the fact that, having merged with him, he looks like a god. Necessarily admiring, but detached, firmly standing on its feet. I remember when he was divorcing his previous wife, I asked: “Why, why are you worried? She is a young, beautiful woman." And he simply answered like this: “Well, it will be difficult for her after me.” Andrey Sergeevich is well aware that he is a man of a certain level, and after this level it is quite difficult to communicate with others. And there is no posturing in this, all these “well, how about me! ..”. Without false pathos, without overestimating himself - he sees reality.
Once we already talked with Yulia about how the author of “Elevating Deception” and “Low Truths” appreciates female beauty in general and Yulina in particular. How mercilessly observant he is, how his experienced eye notices the slightest signs of fatigue on his face. Isn't it scary to appear exhausted before him?
He has a different concept of beauty, - Julia answers. - Our comfort zone with you is styling, a new dress, a manicure. He has something else. Yes, he immediately notices freshness or fatigue. But on the other hand ... You know, he himself ordered to show me the footage before the end of filming. They didn't show it to anyone, but they took it and showed it to me. This is cruel, I still think that the actress should not see this. Only thanks to my, how to put it, indifference to how I look - do not consider it coquetry - I was able to continue playing. But at first she spent the night without sleep, called the screenwriter and raped her for forty hours: “Lena, how could you let this happen? You do not understand that this is the aesthetics of ugliness? What have you crossed the line? She: "I'm interested in the moment of impact in terms of the persuasiveness of the heroine." Me: “It’s not just convincing anymore—unconvincing. I don't want to look at it anymore." And Andrei Sergeevich did not understand at all what exactly jarred me. Moreover, Ksenia, it was he who came up with our cover. I was sitting in the make-up chair, covering my eyes with my hands in horror, and he: “You are a fool, you don’t understand anything, you need to do it urgently.” At that moment, I was so "not good" that I allowed myself to agree. Probably, then it was possible to say "no". But still I believe him, he has an unmistakable instinct.
I remind you how many dazzling women and talented actresses received the coveted prizes only by mutilating themselves beyond recognition. To which Julia indifferently remarks:
I began to treat awards differently. Yes, good criticism is welcome. The words of people you respect are dear. But I went through this. Only the lazy did not trample on the House of Fools. But it was after the House of Fools that Geraldine Chaplin told me at the Munich festival: “If my father could see this film…” Liv Ullman sent me a letter. Max von Sydow kissed my hands. And around scolded terribly. What is the truth in this? And what should I expect? Probably, sometimes everything coincides, and well-deserved awards happen. Everything in my life is different. Quite different. Probably so fair.
Konchalovsky also refuses to talk about the rental and festival fate of "Paradise". Yes, he already has the Venetian Silver Lion for Tryapitsyn. Yes, installation has begun. Yes, they will probably manage in six months. But he is definitely not interested. Moreover, as soon as the extreme (not the last, namely the “extreme” scene) is filmed and the cap is clapped, he no longer thinks about the picture at all. Okay, he cares if he finds the money for the next film. But only those who do not think about rentals, festivals and success can be truly free. "It must flow freely from the soul." He was happy every day he worked. It is unlikely that a souvenir from Venice is more expensive. Well, of course, he is not indifferent to the fact that his wife fell in love with him again.
How will she, a cheerful beauty with curls, explain to the audience of the Morning with Yulia Vysotskaya program what happened to her? And she hasn't figured it out yet. Maybe he'll spare the audience's nerves and put on a wig, or—damn it—he'll speak out like that, let them see and know. In recent years, she has become Teflon in relation to public opinion.
In our resonant May interview, we talked about reassessment of values, that it is important not to tire yourself out and stop in time. Restless. Why does she need a daily broadcast, especially one where it is necessary to equally understand the problems of housing and communal services and the treatment of arthritis? It is difficult to imagine a greater burden and lack of freedom.
Not that I felt cramped in the kitchen, - explains Vysotskaya. - Right now, in one breath, we shot the most complex recipes in the New Year's Eat at Home program. They made stollen - this is such a rich bun, more difficult than brioche and Easter cake, because there is marzipan and a lot of candied fruit inside. It should come up, bake ... I made stollen for the first time in my life. Pure improvisation in the frame. And everything worked out brilliantly. But the niche of morning ethers is so rich, free and fertile.
It would seem that there are a lot of programs, but few people can speak with the audience openly, with dignity, and not like with idiots. Usually people are perceived as plankton. What for? About everyday problems - how to choose a gift, how to deal with cellulite, how to pick up a man, set the table, not lose a husband - it’s quite possible to talk normally. It seems to me that we succeed with the heroes. Here the actress Anna Ardova came. Put Anya Ardova in front of the camera, talk to her about anything, and it will be sparkling, fun, frank. At a normal level, horizontal ...
Three programs per day, several shooting days in a row. Yes, it’s hard to keep concentration, to immediately join the conversation about the illegal installation of barriers or the new generation of sissies. And still it is impossible, that the eye has gone out. But what a challenge, backed by a share of "ten"! This is oh so cool.
And she, indefatigable, wants to be not only watched, but also drunk, and therefore she opened a wine bar on Kuznetsky with an excellent wine list. Tuscany biodynamic flows like a river there, on the label of which Julia Vysotskaya is written. Actually, she dreamed of a good bar when she opened Yornik. He thought about it as a cool place to sit, drink, and, well, have the best coffee in the city - in what, in what, and Julia understands coffee. Then the chef Daniel Phippard appeared, the food became the main thing, and “Yornik” was taken away towards high art, which, however, she does not regret: “I liked it. How much has worked - so much has worked. But the desire to make a passage - in a good way - the place remains. So that everything is blown by a draft from the visitors, so that they run in for breakfast in the morning, they take with them croissants stuffed with delicious ham, cheese and avocado. So that during the day the waiters throw the right pasta, salad, club sandwiches and burgers on the table. For more serious things to happen in the evening. La Stanza ("room" in Italian) opposite the strongly organic "KM 20" is all about it.
We go together to see the renovation. Along the brutal cement-drenched bar counter there are director's chairs, on the backs are the names of people who drink heavily: Lindsay Lohan, Keith Richards, Colin Farrell. Kate Moss, of course - where without her? And two more - on which The Star and The Director are written.
By the way, do you know why the director's chair is so high? Julia asks me. - To the director did not lean. He has to be on par with his actors.
Julia is like that too. At the same height with the people who surround her. No snobbery, no deliberate simplicity, no desire to please everyone. She keeps a comfortable distance for herself in order to let her into her personal space as much as possible today.
A year ago, she told Tatler about a car accident, about Masha, who is still in a coma, about how this affected Yulina's life, which flowed in permanent Instagram happiness. I again ask Yulia a question about her daughter: a few months ago there were reports in the press that the girl was on the mend. Preparing for the interview, I plunged into the Internet abyss and emerged from there in horror: the fantasy of journalists stretched from a divorce from Konchalovsky to the birth of a third child, which was convincingly proved by an overly wide dress at the Venice Film Festival. And instead of a photo of Masha Konchalovskaya on one of the resources, I identified Masha Parfenova. Julia instantly shrinks and closes in her shell. No, she did not even pay attention to the publications that seemed to me to ooze from every iron. Yes, a lot of nonsense is written on the Internet, and in general it surprises her how long the audience returns to this topic without the slightest word of information from the family. The people who work for her, pah-pah-pah, turned out to be very decent. And Masha ... "We are working, we are moving, so far very, very slowly."
By the New Year, fashion designer Victoria Andreyanova, whom Yulia met through the program, ordered an oversize coat and jacket for Konchalovsky. The list of gifts from fifteen-year-old Petya was waiting in the wings with Katya’s assistant, and the parents tried with all their might to isolate something reasonable from this wish list: “It was normal in London, but in Moscow it is much more difficult to keep your son from a consumer attitude to everything,” complains Yulia . Petya moved to the French special school named after Polenov, where Yegor Konchalovsky went and where some of the "those" teachers still work. To his father's dismay, he draws clothing collections and calls himself a future fashion designer.
What's your script for the holidays?
I have no idea, - Julia shrugs. - The main thing is to have a lot of snacks. Experience shows that roasted lamb legs and stuffed ducks are absolutely pointless. Drink champagne, go to Nikita.
And then - to the bar at La Stanza. Konchalovsky will take the chair of The Director, and she will modestly nestle in The Star.
Ksenia Solovieva
The TV presenter declassified the reason for such a sharp change in image
The TV presenter declassified the reason for such a sharp change in image.
As previously reported by the press secretary of the TV presenter - Nadezhda Lyzhnikova, Yulia Vysotskaya for the role in the new film directed by Andrei Konchalovsky - "Paradise", where she will play one of the participants in the Great Patriotic War. While other details of the film are not reported, it is only known that the change of image was a real shock for the star of culinary shows, but there's nothing to be done, serious roles require no less grandiose changes.
Photo: NTV SCREENSHOT “I knew that I would have to cut my hair short, but when I sat down in the stylist’s chair, Andrei said to cut with a machine. Of course, I was horrified: cutting your hair at 42 is not the same as cutting your hair at 28. But I realize that beauty and art always require sacrifice, ”the actress told Tatler magazine. And she added that during the haircut she even almost fainted, but she withstood all the “adventures” with dignity.
Now Julia Vysotskaya looks really unusual, but still feminine and elegant. Her numerous friends from the secular party agree with this.
Photo: Instagram “She is so bright, moving, fresh, kind! Natalya Ionova commented on the picture. - Amazing energy! Julia, you are incredible!” Gluk’oZa wrote in her microblog.
Meanwhile, Instagram users reacted to the new image of the TV presenter ambiguously. “Cool Julia, in any way”, “I don’t like Yulin’s new look. She had enough masculine energy, and her hair softened her and there was balance. Now there is a clear advantage in the man”, “What about Vysotskaya? The family lady turned out to be a wild girl”, “Julia is charming, kind and unique!” - wrote followers in the comments.
However, how many people, so many opinions, and Yulia Vysotskaya was and remains a vivid example to follow among domestic celebrities.
Why cut your hair bald for new projects? Is it really impossible to somehow hide the hair? Especially I never liked Yulia Vysotskaya. But honestly, with hair, she looked much more beautiful, more feminine.
Not so long ago, Natalia Andreichenko cut her hair, and now Vysotskaya Yulia, the host of the Culinary program and the morning program on the NTV channel. I would not say that she cut her hair on her bald head, she does not have a short fat.
There are several theories as to why she changed her hairstyle. Perhaps she did it for a new project, which is still kept secret. And perhaps due to the fact that her eldest daughter Maria became worse (the girl has been in a coma for about 2 years after a terrible car accident). Julia does not comment on the change in her image.
I think she is a very brave woman, she really suits the new image. I find this transformation to be sexy. She wouldn't have been able to decide on her own.
I don't know why she did it. But a brave woman! It's like undressing to the naked, not everyone will decide, and not for ethical reasons, but because the figures are far from ideal.
Yulia Vysotskaya has not become more feminine, but for my taste, there is sexuality in this. And you can see the good shape of the head and neck of a swan. The hair will grow back, no big deal.
I like. If I were so slender, I would easily cut my hair and be quite pleased with my appearance.
An unexpected turn of events
Quite often I watch the program Eat at Home with her participation
Vysotskaya cooks different and delicious dishes
However, to be frank, a bald head no longer surprises anyone.
Yes, and Vysotskaya cannot be called completely bald - there are hairs
They say that she is filming in some kind of film - so she shaved
As for me - the new image of Yulia to face
I have never been a fan of the talents of Yulia Vysotskaya and I don’t like her new image. But there are moments in the life of actresses when such radical methods are needed. I read that Julia is preparing for a new project and this explains everything. And this is normal, many actresses have gone through this. Although with hair was more beautiful as Kutuzov told Shurochka in the film Ballad of a Hussar - A girl would be more beautiful.
To be honest, it's not very common to see her in this way. I don't really like it when a woman is cut bald. They say that she cut her bald head for some new project, which one is still kept secret.
Usually women shave their heads bald when they want to focus on the eyes and accentuate the neck. I think Julia did it. Another question is how much it suits her. Personally, I do not like her new image, she looks like a prisoner of Auschwitz in it - defenseless, pale, thin. Femininity has not increased, just the opposite. There is some tragedy in this image, perhaps it is somehow connected with difficult events in the family or with the creative activity of the actress.
Julia's change is connected with her professional activities. This was demanded by her new image. The actress parted with her hair for a new role in the new historical drama of her husband, Andrei Konchalovsky Paradise dedicated to the Great Patriotic War.
To be honest, no way. Well, she cut her hair and cut her hair, now you will not surprise anyone with this. She is an actress, and a new role is apparently being prepared for the film. By the way, she looks very good, looks a little brutal, but very nice. Apparently, the role will correspond to her new image.
Fans of Yulia Vysotskaya are at a loss. She appeared before everyone radically changing her appearance. Vysotskaya cut her hair to zeroquot ;.
So far, she does not comment on her actions, but the TV presenter's fans began to build their versions. They connected this with the fact that the daughter of Yulia Vysotskaya Masha came to her senses for a few hours before the New Year, but now she is again in a coma.
A more realistic explanation is that she will star in her husband Konchalovsky's film called "Paradise". It was for the role in this film that she needed a similar image.
We can only wait for news or explanations from Yulia Vysotskaya herself about such changes.
In Andrey Konchalovsky's new film "Paradise", Yulia Vysotskaya will play Olga Kamenskaya, a member of the French resistance, who is shaved bald. This was the reason why.
Actress and TV presenter Yulia Vysotskaya, who puzzled the public with her new image, namely, a bald haircut, explained the reasons for her act.
It turns out that she needed to cut her hair in the interests of the new film of her husband and director Andrei Konchalovsky, which has the working title "Paradise".
In the film, Vysotskaya will play the main role - Olga Kamenskaya, a member of the French resistance. According to the plot of the film, the heroine Vysotskaya is shaved bald.
As Julia says, she knew that she would have to part with long hair. However, she could not even imagine that, on the orders of her husband Andrei Konchalovsky, they would make her bald. But Vysotskaya did not dare to disobey her husband, or rather, the director, despite the fact that this step was given to her with great difficulty.
“Shaving at 42 is not exactly the same as shaving at 28. You lose - I don’t even know how to call it,” Yulia said.
"Well, let's say I wake up - somewhere swollen, tired, tortured, bruised, bags. I think it's okay: now I'll put something on my head. And now what should I do?" She shrugged.