I enter the dark temples of symbols. Analysis of the poem block I enter dark temples

This poem was written when young Alexander Blok was barely 22 years old. It was this time that was marked by the poet himself as a period of active creativity, an open spiritual search for his own highest truth and truth. A whole cycle of love poems is dedicated to Lyubov Dmitrievna Mendeleeva. In her person the poet found a dear friend and muse, whom he served all his life. He idolized this girl, who later became his wife, and saw in her manifestations of the divine essence.

Poetic analysis “I enter dark temples» is intended to show and indicate main feature spiritual quests of Alexander Blok at a specific stage of creative development. Namely, serving the image of the Eternal Femininity, trying to find it in material world, approach her and make an integral and indestructible face part of your own existence.

Theme of the poem

“I Enter Dark Temples” is one of the pinnacles of Alexander Blok’s poetry in the cycle dedicated to the Beautiful Lady. The key point should be considered an attempt to find a dream, an image of Eternal Femininity in the everyday world with prevailing material assets and installations. From here the moment of discrepancy in ideas, irresponsibility, futility of search is clearly visible.

Analysis of “I Enter Dark Temples” shows how lyrical hero A. Blok is cut off from reality, absorbed in his own obsession. And it is difficult for him to cope with this mystical desire, it subjugates him, deprives him of his will, common sense, reason.

The state of the lyrical hero

The verse “I enter dark temples” is the eleventh in a number of works addressed to Lyubov Dmitrievna Mendeleeva. The lyrical hero is in a state of anxiety, he wants to find integrity with himself, to find his lost soulmate - a part of himself, without which he cannot become happy. In a holy place, a temple, he sees only echoes of that mysterious, unearthly image to which his search is directed, on which all his attention is focused. Here the author himself connects with the feelings of the lyrical hero in these deep inner experiences.

Image of Eternal Femininity

One of the most beautiful and mysterious is the poem “I Enter Dark Temples.” Blok endowed his heroine with fabulous, mystical features. It is elusive in its essence, beautiful and incomprehensible, like a dream itself. This is how the image of Beauty arises as a hypostasis of divine love. Often the lyrical hero compares her with the Mother of God, gives her mystical names. Alexander Blok called her the Dream, the Most Pure Virgin, the Eternally Young, the Lady of the Universe.

Readers always have rave reviews and impressions after reading poems such as “I enter dark temples.” Blok is a favorite poet of many intellectuals, especially his work is close to young boys and girls. The one whom the lyrical hero serves is shrouded in the greatest mystery. He treats her not as an earthly woman, but as a deity. She is also surrounded by shadows, in which her attraction to the Apollonian principle is discernible - the hero contemplates her and himself receives feelings from the experience. The analysis of “I Enter Dark Temples” demonstrates to the reader an interesting approach to the interpretation of lines known and loved by millions.

Key characters

In the poem one can highlight several images that create a kind of background for the development of the action and complement the plot with bright pictures.

The robes emphasize the holiness and sublimity of the image of the Beautiful Lady. This is the material embodiment of the divine principle (Mother of God, church). Everything earthly is alien to her; she represents the sublime element of freedom and light. You can pray to her at night in the moonlight, chanting her unsurpassed beauty with every thought and action.

Red lamps symbolize the unattainability of a dream, its remoteness and unreality, compared to everyday life. This is where the fictional world connects with reality.

Thus, the analysis of “I Enter Dark Temples” emphasizes the idea that the poet’s intimate and personal experiences of youth occurred against the backdrop of a desire to unravel the mystery of Beauty.

Analysis of the poem “I enter dark temples”

Symbolist A.A. Blok immortalized his name by creating a cycle of poems about the “Beautiful Lady”. They contain pure adolescent love for beauty, chivalrous humility to the ideal, a dream of sublime love, which was a means of penetrating into higher worlds, to merge with the perfect eternal femininity. The cycle of poems about “The Beautiful Lady” is dedicated to the beloved A.A. Blok. Lyubov Dmitrievna Mendeleeva, who later became his wife. This is a prayer addressed to the Lady of the Universe, the Eternal Wife, the saint. And one of the most insightful and mysterious poems, I consider “I Enter Dark Temples” a masterpiece.

I enter dark temples

I perform a poor rite

There I am waiting for the Beautiful Lady

In the flickering of red lamps.

The first line of the poem sets the reader up for something mystical, otherworldly, inherent in the abode of an unearthly creature, a Beautiful Lady, a Majestic Wife, dressed in white robes and alien to all earthly quagmire.

The lyrical hero considers the rite of knighting the Beautiful Lady to be poor in comparison with the rich spirituality of his ideal. The internal state of the lyrical hero is magnificently shown with the help of figurative details - red lamps. Red is the color of love and anxiety. The hero loves his ideal, but experiences anxiety before its appearance. Further, the lyrical hero’s anxiety increases (“I’m trembling from the creaking of the doors...”), as her image visibly appears in his imagination, a dream about her, illuminated by an aura of holiness, created by Blok himself. The image of the Beautiful Lady is ethereal, fantastic, but it appears so often before the poet that he is already accustomed to contemplating her in divine robes. Her appearance brings peace to the hero’s lyrical soul, he sees smiles around him, hears fairy tales, and fairy-tale dreams arise in his imagination. All his senses are open to the inspiration of perception of everything that he sees and hears. The lyrical hero finds harmony. He exclaims enthusiastically:

Oh, Holy One, how tender the candles are,

How pleasing are your features

I can't hear any sighs or speeches

But I believe - Darling You.

Admiration fills the narrator's soul. Lexical repetition The intensifying “how” emphasizes the admiration and admiration of the young poet before perfection. The metaphorical epithet “affectionate candles” is Blok’s real poetic discovery. The hero “cannot hear either the sighs or the speeches” of his beloved, the disembodied spirit, but contemplating the gratifying features that give joy and peace to the heart, elevating the soul and giving inspiration, he believes that she is Darling. An intensifying punctuation mark - a dash - puts a huge emphasis on the short “you”, confirming the indisputability of the poet’s ideal. Blok's dream of meeting the Beautiful Lady boiled down to leaving real world, full of quagmire, swamps, “black buildings”, “yellow” lanterns, unworthy people, for whom “the truth is in guilt,” in the deception of the weak, defenseless, in profit and self-interest, in ideal world, populated pure creatures, close to ideal.

The poem makes a huge impression on the reader with its power of narration, the selfless feelings of the youth - knight Blok, the abundance of visual expressive means, revealing in full the internal state of the lyrical hero, showing the situation surrounding the poet, and creating that religious, mystical flavor. The text contains many words that have a bright emotional connotation, sublime, church vocabulary (temple, lamp, robe, gratifying), they emphasize the exceptional solemnity and significance of the events for the poet. The image of the Beautiful Lady meant a lot to Blok; he idolized her, but later the Muse of Eternal Femininity left him.

“I enter dark temples...” (1902)

This poem by Alexander Blok absorbed all the main motifs of the “Poems about a Beautiful Lady” cycle.

The main motive of the poem is the expectation of meeting the Beautiful Lady and high service to Her. The entire work is filled with atmosphere mystical secret and a miracle. Everything here is elusive, everything is just a hint. Some reflections, flickering, hopes for an incomprehensible miracle - for the appearance of a Beautiful Lady, in whose image a certain Divine principle was embodied.

The words of the lyrical hero take on the character of a solemn hymn, a prayer chant with which believers usually turn to their Deity. The text of the work consists of appeals and exclamations expressing the hero’s immense admiration. No events occur. There is only expectation: the lyrical hero sees himself in the image of a devoted knight who has made a high vow of eternal service to his Beautiful Beloved.

The lyrical hero calls his beloved the Majestic Eternal Wife, Sweetheart, Saint. So lofty and holy is the image of the Beautiful Lady that all addresses to her are written by the author with capital letters. And not only these words, but also pronouns: You, about Her, Yours.

The ritualism and holiness of what is happening is also emphasized by the image of a temple, burning candles and lamps. The poem itself sounds like a prayer. The vocabulary is solemn: many lofty, beautiful and outdated words are used, emphasizing the exclusivity of the event (performing a ritual; flickering lamps; illuminated; vestments; gratifying). Love for a Beautiful Lady is a kind of sacrament. The heroine appears both in the guise of the Majestic Eternal Wife, and in the guise of a simply earthly woman, when the lyrical hero calls her Sweetheart.

The lyrical hero expects a miracle - the appearance of a mysterious Stranger. His lonely, anxious soul strives for the sublime, awaits revelation, rebirth. This waiting is languid, tense, anxious.

The poet uses the symbolism of the color red. In all poems dedicated to the Beautiful Lady, the color red is both the fire of earthly passions and a sign of Her appearance. In this poem, the lyrical hero waits for Her appearance in the light of red lamps. The epithet illuminated also reflects this color:

And he looks into my face, illuminated,

Only an image, only a dream about Her.

The Beautiful Lady is a dream, an ideal, but happiness with Her is possible not on earth, but in eternity, in dreams.

This poem contains the usual love lyrics motives: dreams of Her, hope of meeting.

But the image of the Beautiful Lady is unusual. This is not only the real beloved of the lyrical hero, but also the Soul of the World. The lyrical hero is not just a lover, but a Man in general, who strives to merge with the Soul of the World - to achieve absolute harmony. In this reading, the poem is no longer perceived as love, but as philosophical lyrics.

The dream of meeting a Beautiful Lady is a desire to escape from the real world, from unworthy people for whom “the truth is in wine,” in profit and self-interest. Using associations, images and symbols, Alexander Blok writes not only about love, but also about a complex, unknown world that awakens harmony, beauty, and goodness in the soul.

To enhance the impression, Blok uses epithets (dark temples; poor ritual; gentle candles; gratifying features). Emotionality is enhanced by personifications (smiles, fairy tales and dreams are running; the image is looking) and rhetorical exclamations (Oh, I’m used to these robes / of the Majestic Eternal Wife!; Oh, Holy One, how gentle are the candles, / How gratifying are Your features!). Assonances are used (There I am waiting for the Beautiful Lady / In the flickering red lamps).

The symbolist work of the poet Alexander Blok was influenced by the Russian philosopher Vladimir Solovyov, especially his idea of ​​“Eternal Femininity”. Therefore, Blok’s first collection of poetry was called “Poems about a Beautiful Lady.” This image is inspired by memories of the Middle Ages and chivalry.

One of the first poems was “I enter dark temples...” The rhythm, melody, monotony and at the same time solemnity of sound involuntarily subjugate the reader. This state also corresponds to the internal mood of the lyrical hero: he enters a high temple (not just a church!), determined to meet the Beautiful Lady, whom he speaks of as something lofty and unattainable.

All the words with which it is named may sound quite ordinary if you do not see how they are written. And they are all written with a capital letter, in addition, each is preceded by an epithet, giving the words-names identity and majesty: Beautiful Lady, Majestic Eternal Wife. This technique should lead the reader’s imagination away from ideas about an ordinary beloved woman to the thought of the divine, unearthly, eternal. She is a dream, a saint, and at the same time Sweet - an epithet that hardly refers to a deity.

The earthly and the divine intertwined, and this is how “two worlds” appeared. In Blok’s poem there is reality, that is, a visible, tangible world: a temple with high columns, vaguely flickering red lamps near icons, elegant, with gilded vestments. Another world - unattainable, divine. But one detail seems alien in poetic dictionary poems are “the creaking of doors.” However, it is justified because it conveys the feeling of the “creaking” itself as an obstacle that interferes with contemplation and expectation. Or maybe the “creak” connects two images and two expectations into one? The Heavenly Eternal Wife will descend and reveal herself to the spirit of man through illumination, but the Sweetheart can only enter through the real door.

Trembling at the sound of a creaking door is not irritation from a disturbance, but a sign of impatience and timidity of a lover hoping to see his earthly deity. One thing turns into another and it is difficult to distinguish where is reality and where is a dream and what it means:

They run high along the cornices
Smiles, fairy tales and dreams...

These words and images cannot be deciphered in detail, but they act through their sound, emotionality, and the elusive content of the poem’s subtext. One can hear in them a quiet joy, immersion in a vague but wonderful feeling. The image of the Beautiful Lady reveals some kind of double meaning: for the hero she is a symbol of something lofty and beautiful, which the reader cannot definitely judge. Everything is shrouded in mystery, riddle.

Blok's early poems are not subject to logical analysis, but after reading “I Enter Dark Temples...” it becomes clear to everyone that the author himself is absorbed in unclear forebodings and expectations, is directed towards eternity more than towards immediate reality, lives in a world of dreams, like his hero.

Blok was captivated by V. Solovyov’s idea: there is an unchanging, eternal image of Love - “Eternal Femininity.” It exists in another, higher, unearthly world, then the network is imperishable and incorporeal, but it must descend, “descend” to the earth, and then life will be renewed, become happy and ideal. The attraction of souls to this highest principle is love, but not ordinary, earthly, but, as it were, reflected, ideal.

In this idea of ​​the philosopher Solovyov, although it is religious and idealistic, hope for the renewal of humanity has been preserved. For people who were ideally tuned, and young Blok belonged to such people, it was important that a person, through love, found himself connected with the whole world, and with something greater than himself. Personal intimate experience in the light of V. Solovyov’s idea acquired the meaning of universality.

Therefore, Vladimir Solovyov with his idea of ​​“Eternal Femininity” turned out to be close to Alexander Blok, a dreamer and at the same time seriously thinking about life, about its deepest foundations. His fascination with Solovyov’s ideas coincided with those years of his youth when Blok began to feel like a poet. It was at this time that he fell in love with Lyubov Dmitrievna Mendeleeva, his future bride and wife. Abstract philosophy and living life were so mixed and intertwined in Blok’s mind that he attached a special, mystical meaning to his love for Mendeleeva. It seemed to him that she personified Solovyov’s idea. She was not just a woman for him, but embodied the Beautiful Lady - Eternal Femininity.

Therefore, in each of his early poems one can find a fusion of the real and the ideal, specific biographical events and abstract philosophizing. This is especially noticeable in the work “I Enter Dark Temples...”. There is dual world here, and the interweaving of illusions with the present, abstraction with reality. In almost all the poems of the first volume, reality retreats before another world, which is open only to the poet’s inner gaze, before beautiful world, carrying harmony.

However, many critics reproached the poet for the fact that the “myth discovered by Blok” shielded him from contradictions, doubts and threats to life. How did this threaten the poet? By listening to the calls of “another soul” and joining in his own dreams to world unity, the World Soul, a person actually leaves real life. The struggle of the soul with reality will form the content of all of Blok’s subsequent lyrics: he himself combined his works into three volumes and called them “a trilogy of humanization” or “a novel in verse.”

• “Stranger”, analysis of the poem

I enter dark temples,

I perform a poor ritual.

There I am waiting for the Beautiful Lady

In the flickering red lamps.

In the shadow of a tall column

I'm shaking from the creaking of the doors.

And he looks into my face, illuminated,

Only an image, only a dream about Her.

Oh, I'm used to these robes

Majestic Eternal Wife!

They run high along the cornices

Smiles, fairy tales and dreams.

Oh, Holy One, how tender the candles are,

How pleasing are Your features!

I can't hear neither sighs nor speeches,

But I believe: Darling - You.

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Updated: 2012-01-21

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Historical and biographical material

History of creation and date of writing of the poem

The poem incorporates the main motifs of the cycle “Poems about a Beautiful Lady.”

The reason for creating the poem was the meeting of A. Blok with L. D. Mendeleeva in St. Isaac’s Cathedral.

Lyrical plot

An image appears before the lyrical hero that can only be compared with Pushkin’s Madonna. This is “the purest example of pure beauty.” In the poem, with the help of color, sound and associative symbols, the image of the Beautiful Lady of the lyrical Hero mysteriously and indefinitely appears before us. All words and stanzas are full of special significance: “Oh, I’m used to these vestments,” “Oh, holy ..." - with the help of anaphora, the author emphasizes the importance of the event.

Poem composition

In the first quatrain we see a lyrical hero who lives in anticipation of love. More precisely, this love always lived in him and did not find a way out, but he knew that there was someone in the world for whom his love was intended.

I enter dark temples,

I perform a poor ritual.

From further development In the plot, we learn that his beloved is something unearthly, ephemeral:

And he looks into my face, illuminated,

Only an image, only a dream about her.

But then majesty and unattainability appear in this image: she becomes the “Majestic Eternal Wife.” Capital letters give this expression even greater solemnity. I think we can say that the setting of the temple heightens the hero’s feelings: darkness, cold make a person feel lonely, but the appearance of his beloved illuminates everything around and makes his heart tremble with delight.

Prevailing mood and its changes

The emotional tone is also special in the poem: at first the lyrical hero is calm, then fear appears (“I tremble from the creaking of the doors”), then he experiences delight, which is conveyed through a rhetorical exclamation, and then complete peace, he has found the one he was looking for.

Basic images

In almost all “Poems about a Beautiful Lady” we will find an image-symbol of femininity and beauty. The poem “About legends, fairy tales, moments...” is no exception. In it, just as in the poem “I enter dark temples...” the hero believes in eternal love and is looking for her. And the image of the beloved is mysterious and unearthly:

And I don’t know - in the eyes of the Beautiful

Secret fire, or ice.

The ending is also similar to the end of the poem “I enter dark temples...”: the poet believes his feelings, devotes his whole life to serving his beloved.

“The flickering of red lamps” does not allow us to clearly see the image of the Beautiful Lady. She is silent, inaudible, but words are not needed to understand and respect Her. The hero understands Her with his soul and raises this image to heavenly heights, calling her “The Majestic Eternal Wife.”

Church vocabulary (lamps, candles) places the image of the Beautiful Lady on a par with the deity. Their meetings take place in the temple, and the temple is a kind of mystical center that organizes the space around itself. A temple is an architecture that strives to recreate a world order that amazes with harmony and perfection. An atmosphere is created corresponding to the anticipation of contact with the deity. The image of the Mother of God appears before us as the embodiment of the harmony of the world, which fills the hero’s soul with reverence and peace.

He is a loving, selfless, under the impression of a beautiful person. She is that beautiful and ethereal thing that makes the hero shudder: “And an illuminated image looks into my face, only a dream about her,” “I tremble from the creaking of doors...” She is the concentration of his faith, hope and love.

The color palette consists of dark shades of red (“In the flickering of red lamps...”), which convey sacrifice: the hero is ready to give up his life for the sake of his beloved (red is the color of blood); yellow and gold colors (candles and church images), carrying warmth directed towards a person and the special value of the surrounding existence. Tall white columns elevate the significance of both the image of the Beautiful Lady and the emotional feelings of the hero. Blok wrapped everything that happened in the poem in darkness, covered it with a dark veil (“dark temples”, “in the shadow of a high column”) in order to somehow protect this closeness and holiness of the characters’ relationship from the outside world.

Vocabulary of the poem

The intonation is solemn and prayerful, the hero longs and begs for a meeting, he trembles and trembles all over in anticipation of her. He expects something wonderful, majestic and completely bows to this miracle.

Poetic syntax

A metaphor is used here: the hero enters the world of love, reverence female beauty, mystery; The word “dark” conveys the depth and sacredness of this feeling.

“The Poor Rite” is the formation of the poet as a person and as a man.

Sound recording

The poem uses sound notation. Alliteration (sound [c]) helps convey mystery; the poet, as if in a half-whisper, talks about his most secret thoughts. Assonance (the sound [o]) gives the poem solemnity, reminiscent of the ringing of bells.

Inversion is also used, highlighting verbs that play a special role in the poem: the enumeration of the hero’s actions (I enter, I perform, I wait, I tremble) conveys the tension that the poet experiences.

Stanza 1: the sounds “a”, “o”, “e” combine tenderness, light, warmth, delight. The tones are light and shimmering. (Color white, yellow.)

Stanza 2: sounds “a”, “o”, “and” - constraint, fear, darkness. The light is diminishing. The picture is unclear. (Dark colors.)

Stanza 3: The darkness leaves, but the light comes slowly. The picture is unclear. (A mixture of light and dark colors.)

Stanza 4: the sounds “o”, “e” carry ambiguity, but bring the most big flow light, expressing the depth of the hero’s feelings.

Emotions evoked while reading

Seeing and understanding love is not given to everyone, but only to a special, exceptional person.

In my opinion, A. Blok is an exception: he understood all the charm of the feeling of love, its elusiveness, lightness and, at the same time, its depth.