Katie Holmes and other celebrities with uneven legs who are not shy about it. Stars with Terrible Legs Hollywood Movie Costumes

British supermodel and actress Kate Moss came to model business in the middle
90s and in the blink of an eye was among the podium elite. Her fees were not inferior to millions
the fortunes of Claudia Schiffer, Linda Evangelista and Naomi Campbell, and fashion houses vied with each other to offer expensive contracts.

Thanks to her thin physique, Kate became the face of several trends of the 90s. girl popularized
unisex style and “heroin chic” (the image of thin, exhausted girls who look like drug addicts).
The model got used to the role so much that she went to drug treatment clinics several times.

Perhaps, since then, the life of the beauty from the cover has ceased to be bright and cloudless.
Now Kate Moss is 44, and her image of an impeccable slim girl is crumbling before our eyes. The model never
was an adherent of a healthy lifestyle and abused alcohol. Over time, her ideal forms started
"blur", which did not escape the eyes of the paparazzi.

For example, this summer, the blonde appeared at the Saint Laurent show in a short mini, showing
all cellulite legs.

A flurry of criticism forced the model to work on herself in order to soon appear in her usual way.
at a photo shoot for More or Less Magazine.

And everything would be fine, but the paparazzi do not believe Photoshop. The other day, Kate Moss was again in the center
scandal. The top model was photographed on the deck of a yacht in Saint-Tropez in the company of a 16-year-old daughter and
31-year-old boyfriend of Nikolai von Bismarck.

Journalists noted how much she recovered and aged. In our opinion, Kate is just
I relaxed and allowed myself to be happy next to my loved one. It also became known
that last year the woman was treated for alcohol addiction. Thighs with thighs, and
harmony in the family is above all.

Kate Moss with daughter Lila

Let Kate Moss get a little better, she still does not threaten to become famous plus size model. Do you think the British woman deserved the fall on her
criticism? Write your opinion in the comments.

Celebrities pay the price for high heels and designer shoes

Celebrities pay the price for high heels and designer shoes

In summer, it's time to show off beautiful legs in open sandals. Well, God himself ordered the Hollywood divas to do this - after all, their closets are crammed with expensive designer shoes. It is for her that the stars pay with mutilated fingers and mutilated legs: high heels and uncomfortable dress shoes have the most detrimental effect on them. British journalists Daily Mail showed photos of famous beauties to Jason Nandlal, a surgeon specializing in the treatment of diseases of the legs, and made a rating of the most terrible stellar limbs.

At 43 Jennifer Aniston enviable sportswear and toned figure. But the actress's legs betray her secret: too huge pressure detrimental effect on veins. By the end of the parties, the legs of the stars are covered with a real "cobweb", and with age, this problem will only get worse.

Legs Kate Moss mutilated by years of walking on the catwalk: twisted and as if bent inward fingers indicate that the model long time wore shoes that were smaller than required. As a result, the limbs of the famous "British rose" cause fear and horror.

Sarah Jessica Parker She became famous for her role as Carrie Bradshaw in the TV series Sex in the big city". Carrie's main fetish has always been shoes on high heels with which the actress does not part to this day. Protruding veins are a sign that the actress should finally save her legs and switch to more comfortable shoes.

proud feet Victoria Beckham have long been the subject of tabloid discussion. At one time, the star's fingers, mutilated by model shoes, even brought her the title of "celebrity with the most terrible legs" - she received this title from the British as a result of a sociological survey. Tight shoes with narrow toes and multi-centimeter stilettos have done their job - and now Posh is trying not to appear in public in sandals.

Skin on the legs Goldie Hawn betrays her age, although the face and body of the 66-year-old star looks very youthful. In general, as the expert noted, the actress's legs are in excellent condition.

Czech beauty Eva Herzigova often does not know the measure on the beach and is fried to redness. As a result, her legs pay with sunburn and spots.

Gwyneth Paltrow confesses healthy lifestyle of life, but apparently this does not apply to her legs. thumbs the actresses are strongly twisted, noticeable bones have grown on the side of the feet. If this continues, the star will need surgery as she ages.

In general, legs Cameron Diaz they look good - apart from the fact that her fingers are curled up like bird legs: a clear sign that the star is wearing too tight shoes. A couple of calluses testify to this.

“A friend had a crazy idea. He says: let's organize a fake art company. We will write “Fake Damien Hirst”, do absolutely the same thing with the same hands, but sell not for millions, but for fifty thousand, ”figurative sculptor Artem Malakhovsky, the only Belarusian who sculpts in London at Madame Tussauds, says, what keeps the world market of art.

How the Belarusian sculptor got to London

Artem Malakhovskiy in Minsk

For two years I lived with a girl who studied at the Glebovsky Art School. Tanya was born in Lithuania, but her father was Russian and her mother was Belarusian. She and I signed in the summer, and in February 6 years ago I went to London after I was kicked out of the art academy. Many people ask the question: was it a fictitious marriage, because Tanya has an EU passport? No fictitious, we signed for love, wanted to live together and did not intend to go to London at all. It’s just that gift money was stolen from me at the wedding, and it was decided to go work off this money, we got into debt to my mother and Tanya’s parents. Her sister lived in London, so Tanya went to her sister. According to English law, you could not take your husband with you right away, even if you are a citizen European Union. That is, it was necessary that Tanya worked there for at least six months. Accordingly, when she sent me the documents, I arrived.

Tanya worked in a pub and she also had a job at the Jackson's art supplies store. They deliver art materials to my home. Now I buy things there quite often. And then Tanya worked in their warehouse and immediately talked to her boss, I mean, my first job in London was putting stamps on envelopes and writing addresses to people who buy paints. On the second day, a young man suddenly comes into the store. There is a little noise, the girls start whispering among themselves. We return home, I say: "Tanya, what kind of person came, tell me, it was clear that you were." Well, she is in tears, they say, love is carrots, it's all over with her. I'm getting ready, put on a jacket and leave from home.

And that case was a turning point in fate. I came out of there, alone, no money, nothing. Came to the park, sat on a bench. A man walked by, black with dreadlocks. I tell him in bad English: “Maybe you have a smoke? I'm very stressful situation". He replies: "Yes, only 3 pounds is needed." I open my wallet, and there are only 3 pounds in kopecks. I give it to him, he dumps and does not return. I think: "Welcome to London." I’m walking down the street, I’m very upset by all this - where would I go, because it’s cold, but I won’t go back to Tanya. I look: there is a party in the house, music is playing. I knock on the door, they open it, they immediately give me a beer and say: “How long are you in London?” I answer: "Second day." They: “Well, how? Like?" I answer: "Well, mixed feelings." I told about my troubles, and I was offered to change the edge here for a while. It was an ordinary residential building in appearance, of which there are a lot in London. Seven artists lived there: one German, two Portuguese, a Croat or Serb, a girl from Belgium, a German, one British from Wales - such an international. I started hanging out with them, just knocking on the door almost every day, there was nowhere to go. I can even tell you the address: 70 Brooke Road is a revolutionary place, the house was recently sold, everyone left from there. We did exhibitions there, and so many parties. I just knocked on a whim, I didn’t know that artists live there. But still these people are my closest friends.

How to find a job as a sculptor in London

Foundry at A&B Foundry

I stayed at Jackson's art supplies for three weeks. Due to the fact that Tanya and I were constantly arguing, her boss Jerry said: "Tanya worked here before you and I like it as an employee, and you have to leave." When Jerry fired me, I found the Royal Batersey College of Art on the Internet and went there. Well, where else can there be sculptors in London? I came to college speaking in my incomprehensible English. A few years later I tried to go back in, but there was an entrance, no one let me in. And then I met the guys in the corridor, a teacher approached them, who led their casting. And this man's name is Richard Rom, as I later found out, he wrote a famous book on bronze casting. Richard Rom asks me: "You do do you want to come here?" And I told him: "No. I don't want to do it, Maybe you have a job here?" And he told me: "Well, let's go to the pub." We meet the head of the department, Richard was also there, and these two Richards bring me to the pub, buy me a beer. Richard Rome says: "You probably have a portfolio? Show pictures.” I'm starting to show productions from the art school and academy.

In principle, they liked the technical base, but otherwise they said: “We did this here in the 60s. It is strange that people in Belarus are still engaged in such art...

In principle, we can take you to college to study, there is data. I say: "I need a job." Richard Rom replies: "I have one assistant with whom I work constantly, I do not take anyone." Then I asked them to write me a list of all foundries. There are five in London. “Here,” Richard said, “there is A&B Foundry, it is the largest, I worked there for many years, the most famous artists are there, you will be interested.” I said "thank you" and left.

In general, there are two competing foundries in London, Bronze Age and A&B, but still Bronze Age is worse. A&B Foundry is famous for the fact that the artist Barry Flanagan worked for them, the world famous artist who represented Britain at the Venice Biennale in 1982. Well, I call A&B, a man named Jerry Hughes answers, he's a big figure in London in casting. And my English is bad, he understands that he is a visitor, and immediately says that there is no work. The second time I called - the same thing. For the third time, Jerry says, "Okay, send in your CV, we'll take a look." Sent and call again. He says, "Please don't call us, we're tired of you." And then I went there. Downstairs they asked: “Do you have an appointment?” I nodded, I was told to go upstairs.

Foundry Jerry and a piece of Kate Moss' leg

Kate Moss in a foundry

Upstairs they had a kitchen, big round table and leather sofas. And everything is filled with bottles. As, in principle, in any foundry - well, the men are workers, you need to get drunk, because many are shaking. When I arrived, I was seated on leather sofas. I sit and wait to see what happens. Jerry arrives. And this man is almost two meters tall. And he just says to me like this: “What, but the fuck are you doing here?” I almost cried. I say, I called ... And he replies: “Do you speak English at all? I remember you, I said in plain text five times that we don’t have a job.” I say: “I can do everything. I can sweep if needed. Then he already started to laugh: “Okay, I like you, there is a sense of humor, such perseverance ... Okay, let's go to the office and look at your CV.” We go into the office, and there are sculptures of Barry Flanagan, Chapmans Brothers, Mark Quinn - all these big shots of London. Jerry downloaded my CV, went to the foundry, showed the guys and said: “You will work for exactly one month. I have a Pole boy on vacation now, you will replace him. When he comes back, you're leaving because I don't fire my people. You are a coming person, and we have such an agreement with you.

My job was to grind big piece Kate Moss legs. This work by Mark Quinn is for sale, two million, in my opinion, it costs. It was his order for a foundry - in Belarus, in principle, artists themselves do not cast bronze either. The sculpture of Kate Moss is hollow inside and is made in pieces, that is, Kate Moss's leg looks like a bronze pipe. Then I worked on a sculpture for Gary Hume, a figure that looks like a snowman - three spheres stacked on top of each other. I was told that this sculpture was bought by Elton John. I worked like this for a month, sweeping and polishing. And a month later, Jerry tells me: I have to go. I say: "You big man in art and you know everyone. Where can I go to get a job? He says, “You better not grind at all. You sculpt well, I saw your CV. There is a company called MDM, so go there to sculpt.” Well, I sent them a CV with my work. They answered only after two months, during which I managed to work in a small foundry in Tottenham Hale, where I worked on candelabra handmade. And then I get a letter from MDM: "We may have a job for you, come for an interview." This is how I got into MDM for the first time.

Pregnant for Kitty Tyson

Figure of a woman for Kitty Tyson

In general, this is cool, because people go to MDM after St. Martins College of the Arts and even after the Royal Academy to work for free to gain experience and there was a line in the CV. And I was lucky that they also paid well. But they needed figurative sculptors, which is rare in London. Of the teachers in London, there is only Alan Sly, a semi-mythical person who used to work in City and Guilds, and now teaches at Wimbledon College of Art - the only person who teaches how to sculpt a figure and portrait so that a person is like a living person. There are other private schools, but Alan Sly is more serious. Now I work with 22-year-old and 50-year-old sculptors - all learned from him. My employment in MDM was also influenced by the fact that Jerry sent me there, it was in the letter and CV. That is, they took me not from the street.

The first work in MDM was a sculpture of a woman. There was a model of 30 centimeters on the table. They told me: “We need to blind the same, only so that it is 2 meters 10 cm. What do you need for this?” I say: "First, paper and pencil, draw proportions." So I started, they didn’t ask me for any documents, nothing. We just signed confidentiality papers. But now we can talk about it, the exhibition took place. The artist's name is Kees Tyson. In 2002, he took the Turner Prize, which is organized by three galleries: Miro, White Cube (this is a powerful international gallery) and Saatchi. This is the local mafia.

Tyson didn't even talk to us. All the workers were kicked out when this man came. He told the manager what he didn't like and what needed to be changed. And it was a broken phone: you return to the workshop, and the manager tells you according to the artist.

So I made a sculpture for Tyson 2 meters 10 - a pregnant woman with three children. Then they did an exhibition of contemporary grotesques in the Shoreditch area, a semi-closed show, apparently for very rich people ... As I understand it, this exhibition did not sell out with him. Maybe it's my fault. But I began to understand that the world's artists themselves do nothing with their hands, even the sketches are made by the company for them. Then I read in the Guardian about this system that there are several companies, but personally I only worked with MDM.

Figure of a child for Kitty Tyson

Subsequently, I did one more job for Tyson. He did not appear again, he contacted me by email, told me what to move, and moved it himself in Photoshop, and I worked on these photos. But on the last day he showed up. And he even cut some holes in the sculpture himself, shook my hand and said thank you. I was surprised - usually all these monsters do not appear so easily.

How to become famous artists in London

In art, there is no clear boundaries like in mathematics. But in London, capitalism, and a degree from the Royal College of Art does not guarantee you anything. You can't go to the gallery with your work, there are the same boys from St. Martin's College who work for 8 pounds an hour. At the College of Art in London, they will show you casting techniques, organize an exhibition every six months, first the Winter show, then the Summer show. Charles Saatchi, some White Cube and Victoria Miro come to the exhibition. If they like you, they will pick you up. If they don't pick it up, maybe they'll buy your work.

How do people become famous artists in Britain? They first sign contracts with galleries (Charles Saatchi, Jay Jopling, Maureen Paley, Victoria Miro), then the gallery puts them up for the Turner Prize. They win this Turner Price, and after that they start investing in them. Home mafia here called YBA or Young British Artists. It's Damien Hirst, Chapman Brothers, Mark Quinn, Sarah Lucas and Tracey Emen, who exposed her dirty bed. Some went through Turner Price, others were picked up by Saatchi and made famous. If you look, they all got married - at Young British Artists there is cross-pollination, it's like a family. And now they are very great artists. People know that their work is a good investment, like buying real estate. But it has always been so. You buy some Cezan while he is alive, for a penny, then you sell it.

Why galleries open new names? With the death of the artist, his work will become even more expensive.

Private collectors can resell them, and then, if this is a series of works in five pieces, then one hangs in the museum and is recognized as a work of art, and the remaining four are sold to private collections. Chapman Brothers did an exhibition recently at the Hermitage. Damien Hirst exhibited in Kyiv for the Biennale. And this huge number of orders from galleries around the world leads to the fact that not a product created personally by Damien Hirst goes to galleries, but a product that is made for him in companies like MDM. Although if we talk about Damian Hirst, then he has his own workshop.

Pills for Damien Hirst

I have two comrades who work there, they make these pills and dots, multi-colored circles. They don't pay much there, but they like it because Hirst has yoga, massage and a gym - that is, he takes care of his subordinates. It is clear that this skull with diamonds, his very famous work, not Demian Hirst himself kolupal. He doesn't own any jewelry, it's just his idea: "Let's stick diamonds on the skull." Well, sharks preserved in aquariums - I don’t think he should have caught sharks himself. It is clear that all this is done by other people. My friend had a crazy idea. He says: let's organize a fake art company. We will write “Fake Damien Hirst”, do exactly the same thing with the same hands, but sell not for millions, but for fifty thousand.

Costumes for Hollywood films

In parallel, I worked for two years at a company called Robert Allsop. They make costumes for Hollywood movies. For example, for the film "Gladiator". Movies, of course, are shitty, but the place is cult and quite interesting. We made masks for the Aida opera in Austria, costumes for the Nutcracker ballet at the Royal Opera House. Then they worked on costumes for "Hugo" Scorsese ( in the Russian-language box office, the film is called "The Keeper of Time" - approx. ed.).

Scorsese's "The Wolf of Wall Street" is now out, but back then he did a completely different style. new year story about a boy who had a clockwork doll. And I made papier-mâché alien lobster costumes for Hugo. At first we made plastic, then covered it with papier-mâché - the plastic is harder, but everything looks exactly the same. They sent Scorsese, he called and said: "Let's make at least one costume out of papier-mâché." We say: "Why?" And he: "I need to burn it." And in the film there is one shot of the hero burning this lobster - here he is burning my work.

Model for "Hugo" by Martin Scorsese

In general, I do not make 100% of the products. Only the sculptural part: I sculpt how it will look, and then other people take off the mold, and still others do the plastic. There are people who paint, I sometimes paint myself, but rarely. There are only eight of us in the company. I remember making rusty armor for Clash of the Titans. There was a flying god of the underworld - I later saw in the film that it was completely retouched on the computer, this armor is almost invisible, and we sculpted every detail. Then they made angels for the Doctor Who series. There in New York there were such stone statues that conquer Manhattan - and here is a woman with a child, a child, though I didn’t make it, but I sculpted a woman.

For Robert Allsop, I collaborated with Alexandra Byrne, who is famous for winning an Oscar for Elizabeth. When the second part of "300": "Rise of empire" was filmed, I personally made all the armor for Alexandra. True, the Spartans are not three hundred, but much less - only eight different types costumes, and then they will be reproduced on a computer. When we started working with Alexandra, they brought us comics. Not enough, just three pictures. I made some ideas, and then she began to change them: “Let's be a little shorter here, a little longer here, a little more here, a little less here.” She starts to move, as in Photoshop, only she moves the live material.

Finance and work

Armor for "Rise of Empire"

I make good money. Not like a British manager, of course, but more than in a bar. The problem is that there is no stable salary, because you work for three months, then two months off. There are no films, they are not being filmed, and you are sitting. It seems to be earning 14 pounds an hour, and then when you pay taxes, you count the year, and it turns out not enough for London. On the other hand, I worked much less than people on full time - out of 12 months I work only seven. They can call me from MDM, they can call from the foundry, I worked with all these people several times. Before each project, you sign a paper and if you start publishing photos on the Internet that, for example, today you made a masterpiece by Mark Quinn or Damien Hirst, then you will simply be fired.

Madame Tussauds museum

I was recently checking my inbox and discovered that I sent a letter to Tussauds four years ago. They unsubscribed that they like my work, but, unfortunately, they are not recruiting now, and therefore they will keep my CV in a file. This is such a standard reply that everyone writes. I was upset that I was not given a job and forgot about it. Bombed a project for Guinness, which is now in a museum in Dublin - such a wooden pint with a video of how this pint was made - there is me on the video. It's called Guinnes - The Story of More.

After this Guinness I get a letter from Tussauds: "Are you still interested in the job?" I give up yes. Three years have passed! I went to an interview, and I already had a rich portfolio, with famous names and artists, and cinema, and foundries. In Tussauds, they first give you a two-week exam: you sculpt a portrait, and at the exam they look at the level, whether they take you or not. I sculpted Angela Merkel, just a face without hair. For hair, there is a hair and coloring deportation - there are about 30 girls who individually insert each hair after hair into wax. After the exam, they took me to Tussauds, and now I mainly sculpt bodies. I have a fairly low position, not a junior, of course, because I am paid as a senior. But there is a long hierarchy. The juniors process the wax, then there is the sculptor, then the "head scalper" - the one who sculpts the wax heads.

Artem Malakhovskiy works with marble in Carrara

After the head scalper comes the “signor scalper”. They also sculpt heads, but more high-quality and complex portraits, for example, Asian faces. There thinner features and harder to catch the resemblance. I was just sculpting a Chinese, a famous punk star, who in the photographs is always in a white cap with a red star, his eyes are blindfolded with a red flag. In China, he is famous, but here no one knows him either. After “sineor” comes “principal-scalptor”, his task is to make it look like. I cannot reveal secrets, but there is a clear technology by which a similarity is obtained as in a photograph. And then there is the most important “principal-principal”. He signs the work and checks the quality.

Sculptors who work in London, a maximum of a hundred people. Basically, these are the British who graduated from Wimbledon College of Art, someone from Saint-Martens. Someone did not study anywhere at all, but by some miracle got a job first in one place, and then learned to work. In principle, I didn’t finish anything either, but I was taught in Minsk for eight years. These works themselves are not quoted in London, but compared to the British, my school is good.

Eight years, from Monday to Friday, to engage in drawing, composition and sculpture - this is only a dream for many. Our artists would be here!

But if I had stayed in Minsk, I would have had no prospects. First, I did not graduate from the Academy of Arts. If you do not have a diploma, you are not taken to the Union of Artists. If you are not in the Union, you are nowhere.

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Katie's knees are slightly turned and look inward, but this does not bother her at all. Well, that's right, because otherwise Holmes has complete order with her legs.

Paris Hilton

The palm among celebrities with imperfect legs (we don’t take into account slimness) is occupied by Paris Hilton, who at first tried to hide it in every possible way, putting her legs with an X during photography. And then she relaxed and made it her chip.

Popular

Sarah Jessica Parker

Sarah does not even try to correct her uneven legs with the right clothes. She loves to wear mini dresses, skirts and shorts that show off all her flaws. But we love Parker for her style and daring.

Kate Moss

Kate does not care about public opinion, do not feed people with bread, let her discuss her appearance. Small breasts, narrow eyes, thin hair and, of course, crooked legs. She still became the super popular model that everyone wants.

Ashley Olsen

In general, both Olsen sisters have knees looking inward, but Ashley has this defect in appearance more noticeable.

Alice Crawford

Far from even legs and clubfoot did not prevent Alice from making a modeling career and having an affair with Leonardo DiCaprio, which, however, they did not advertise.