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Viktor Toporov - Hard rotation. Viktor Toporov - Strict rotation The literary community has lost a mirror that could not just hint, but say in plain text that someone has a “crooked face,” according to the well-known saying

Raftery:
You led me astray from the right path,
And rumors spread to the captives,
And my stomach used to turn,
And knocked the mind out of my head -
I endured everything. I blew you out of the barrel
He praised me like a girl on the threshing floor,
And you take it - and the candle shook for me, -
And my red hair is on fire.

Oh bastard! Yes, that’s not how Troy moaned,
When the Achaean set her on fire,
Like Raftery with a burnt bar
He screamed in outrage and pain.
Shame on you! Yes, something like Mercury himself -
The friend of cunning and the enemy of simplicity -
Brought someone to obscene stupidity
Self-arson! Whiskey, only you!

With what beauty I entered people!
Brad into the yard - the owner onto the porch.
And you decided: we’ll ruin the guy -
And that's how the ass is bare face.
What a shame! Where are the eyebrows? Where are the eyelids?
But all saints sin from a young age.
Now I say goodbye to you - and forever,
And they won’t get me into the taverns.

Fuck you! Don't touch lips.
I understood your true essence.
You know, blow the devil's trumpets,
And we are drunk - neither gasp nor sigh.
Who needs you? Are you feeding or drinking?
Can you give me an overnight stay? Maybe you sew clothes?
Are you herding cows?.. You're worthless,
Even if you pay exorbitant prices for yourself.

What are you, if since childhood
Like I'm engaged to you?
I drank away my inheritance by the time I was eighteen,
And by the time he was twenty, he was excommunicated.
And here’s the meanness: exactly with a whore,
I live with you while my purse rings,
And it rang - don’t even smell it,
And instantly the innkeeper shows me the door.

Whiskey:
The poet is like a woman - everything is wrong with him,
And if it’s not so, he yells, whines and whines.
The tavern owner is bad - so don’t go to the tavern,
They'll give you something to drink in the barn for that.
Drink milk, since I'm too tough!
Too tough, that is, not affordable.
I will give the treat to another,
But I won’t beg a poor man.

You, old man, are not nice to your youth
And you’re unlikely to increase my fame:
You tremble, you shake, you groan, you’re all rotten -
And you can’t even do anything with a girl.
You and I, fool, have an unequal marriage.
Give me to students and scientists,
Somehow with your poetry
Converted to my creed.

Shut up, you mediocre slanderer!
When saving for a coffin, you don’t forget to be rude.
You are the first to wilt at any feast -
And your ears wither to listen to what you chatter!
You blame me like a bad servant
For underpayment and overtime.
You curse like your last enemy.
Drink some water if you don't have money for vodka!

Raftery:
What satanic words!
What Beelzebub's sayings!
Truly, you are against nature
And all your advice is malicious.
It's time to match St. Patrick,
Who has brought forth demonic myriads,
Truly it's time to banish you
From our Irish way of life.

You are pestilence, cholera, smallpox and plague.
You are poison. You are the quintessence of poison.
You eat liver, you drive us crazy
You turn your noses and fall off your feet into the ditches.
You are a hassle, you are an oryashina, you are rotten.
What are you, what is the church - like sister and sister.
Just wait, I’ll get out of bed -
I will close all the pubs in Ireland.

Whiskey:
Yes, if it were a hangover swearing,
Now menacing, now serious, now sad,
It was possible to deal with me
Then the crowd would forget the bottle.

Raftery:
Who remembers? Drunkards, drunken rabble,
Tramps, beggars, whores.
The one who sucks you is stupider than a calf.
Like a snake, you toss and turn in your belly.

Whiskey:
Men of love, fun and war,
And the young men, enthusiastic and ardent,
And the maidens, fair-haired and slender,
They don't hesitate to kiss bottles.
I am eaten even at court
Between polka, cotillion and gavotte -
And they don’t vomit at dawn,
And they don’t burn fire at the table d’hôte.

Raftery:
Thieves, sharpers eat you up -
And those whom they decided to solder,
The craftsmen and coachmen drink,
Lazy people, mugs and simpletons.
Let the lawyer and the judge drink,
In order to better deceive clients,
Let the clients drink out of grief... You, pig,
I decided to kill everyone in the world!

Whiskey:
Poets, musicians...

Raftery:
Yes, that's it.
Landowners - tomorrow they will be without place.
The military - they will be sent to the scaffold -
And procrastinates, in the bed of the useless.
Let these people drink - to their own detriment.
Let the innkeeper himself drink himself out of boredom.
But it won’t be from me - that’s it, no -
There are no concessions or indulgences for you.

Whiskey:
If not for whiskey, the genius of the outback,
Who would know you? And where, singer of wine,
Is it your gratitude? Yes, I will swear
That you were conceived as a whore - and then you were drunk!
Break up with me? Look what you are striving for!
In his old age he became meek and good.
Yes, all you have to do is whistle for me and you’ll come running!
And if you can’t, you’ll crawl!

Raftery:
Well, whistle!

Whiskey:
Well, I’ll whistle, but not before,
Whatever I want.

Raftery:
No, whistle for me now!

Whiskey:
And you better, teetotaler, swear!
Now, if you had some money,
If you were a farmer, you would have a large herd
Or be a merchant with a full wallet,
Then you and I would sit next to each other
And they spoke in a common language.

Raftery:
Then goodbye forever!

Whiskey:
Oh, how boring!

Raftery:
I won't be a farmer.

Whiskey:
So what?
Poetry and drunkenness are inseparable.
So what is stopping us?

Raftery:
Nothing!
I don’t plow, I don’t harrow, I don’t sow,
But I give joy to the farmer.
And you?

Whiskey:
I mean exactly the same.

Raftery:
Listen, I'll drink to it!

Domestic literary reviewer, critic and editor.

His mother is a lawyer - defense attorney in the case I.A. Brodsky.

“In 1937, my mother achieved two acquittals under Article 58! It must be said - this is obscured in every possible way today - that the courts then were not at all as servile and cowardly as even in the sixties and eighties. Of course, the “queen of evidence” was the admission of one’s guilt - and in this case the lawyer was practically powerless, and the court rubber-stamped verdicts. […] One of the mother’s excuses was also rather anecdotal in nature. “You say that you are not guilty of anything, but you signed a confession,” the mother said to her client on a date, a remark that was traditional at that time. “Yes, but look what I admitted to!” Mother looked. The client admitted - and the semi-literate investigator “ate it” - that he was a Japanese spy and as such sold the Pulkovo Meridian to his foreign masters. The mother drew the attention of the court to this confession, and her client was acquitted.”

Toporov V.L., Double bottom. Confessions of a brawler, M., “Zakharov”; "Ast", 1999, p. 29-30.

V.L. Toporov has been known since his youth for his witty, sharp and obscene assessments...

“... in my youth, I was struck - and inspired - by a samizdat essay Grigory Pomerants(a man, as I later realized, not very close-minded, but sometimes - occasionally - almost a genius) about the intelligentsia and intelligence. The latter was viewed there as a kind of penetrating radiation emanating from the core (the conscience of the nation, the best minds of Russia) and penetrating the entire thickness of the intelligentsia in different times to different depths. The hotter, the more radioactive the “core” at a given moment, the wider the “penetrating intelligence” disperses in society. In less prosperous times - and I took note of this! - “radiation” is only enough to bring (moral) cleanliness to one’s own workplace. That is, to work honestly, conscientiously, not to join any clans or groups (the word “mafia” was not yet in use) and, if possible, to prevent their professional omnipotence. This view of things became for me both a minimum program (because there was also a maximum program) and a kind of creed. Having taken up - by my own conscious and voluntary choice - not the most important thing in the world, I decided that such self-restraint allows me not to lie, not to dissemble, not to compromise with fate and make deals with my conscience (if only because the choice itself poetic translation Although this choice was voluntary, it meant a compromise and a deal). In short, without any hesitation I started perestroika in Leningrad translation circles - fifteen years before Alexander Zinoviev guessed to apply a reverse translation into ancient Greek to this term - and he got “catastrophe”

Toporov V.L., Double bottom. Confessions of a brawler, M., “Zakharov”; "Ast", 1999, p. 200-201.

“... having come to St. Petersburg in 1997, the first President of Russia convened Granina with the late academician Likhachev, Piotrovsky with Gergiev, Rosenbaum s Andrey Petrov and - in front of television cameras - proclaimed St. Petersburg the “cultural capital of Russia.” And, immediately upon returning to Moscow, he took away the federal button from the cultural capital - and handed it over to the “Culture” channel. St. Petersburg television, however, was eking out such a miserable existence by this time that the federal detachment did not notice the loss of the fighter. And the all-Russian TV viewer - even more so.”

Toporov V.L., Hard rotation, St. Petersburg, “Amphora”, 2007, p. 130.

Victor Toporov

"Hard Rotation"

To the question “What is your profession?” I don't have a clear answer. In any case, just one. German philologist, what does it say on a university diploma? Literary and film critic? TV columnist? Essayist? Columnist? Political journalist? Poet? Prose writer? Translator of poetry and prose? Publisher? Teacher? Founder of literary prizes and public organizations? A gray-haired master or a godfather who does not disdain “wet work”? Master of Thoughts or “Pique Vest”?

Sometimes I am called a professional brawler (in all of the above fields and also in everyday life), but this, of course, is slander. My creative behavior looks scandalous only in the conditions of a universal, to put it mildly, Through the Looking Glass. The definition of “foul-mouthed philosopher” (as Sergei Shnurov called me) is good, especially from his lips, but also inaccurate. They even compared me with Vasily Vasilyevich Rozanov and even with Archpriest Avvakum, compared me with Spinoza and Uriel D'Acosta - but let this remain on the conscience of the flatterers of that time. They compared me with Belinsky and (more often) with Burenin; they regularly called me a Pug barking at an Elephant (to the herd of Elephants), and to the extent of multi-stage idiocy, they repeatedly played up my “talking” surname. They stated (the first, if I’m not mistaken, was Boris Strugatsky): “Toporov is known for the fact that he has never said or written a single good thing about anyone. words".

From the outside, of course, you can see better. Especially if you judge with offense and bias. Therefore, we will stick to strict facts. First of all, I am, as it has recently become common to say, a newspaper writer. At least, it is in this capacity that I appear on the pages of the book offered to your attention. Here are collected (or rather, selected) articles and feuilletons over the past three years, first published in the “Political Journal”, the St. Petersburg magazine “City”, the electronic newspaper “Vzglyad”, the monthly “Petersburg. On Nevsky" and a number of others. In all these publications, I publish articles and columns on a regular basis (some once a week, sometimes less often) from year to year, and I focus on the intended audience of each thematically and, not least, stylistically. When the audience coincides, when it doesn’t, this is how the first intersections arise (but also the first discrepancies), movement arises - both translational and rotational - rotation occurs. But it’s not yet a strict rotation - meanwhile, my book is called that way.

The term that became the name was borrowed from the practice of music television channels. Hard (or, more often, hot) rotation is the regular, annoying inclusion of the same songs and clips in the program. (On television, such rotation, as a rule, is paid for, but in our comparison this is not relevant, because on television everything is paid for.) In this book, the same plots are constantly repeated and echoed, the same names, the same same topics; are repeated from article to article within each of the five sections and from section to section. Key expressions, important images, illustrative examples are repeated. Assessments and thoughts are repeated - however, each time being refined, specified and acquired with new connotations. They are repeated, gradually forming into a general (and, if you like, universal) picture.

In book form, all articles included in the book are published here for the first time. They are published with minimal discrepancies in comparison with the first publications in periodicals: where a word that was thrown out in the heat of the moment was removed, where, on the contrary, a couple of lines were restored, removed by a reinsured editor, or even a layout designer, where a typo, inaccuracy or stylistic error. However, all these cases are isolated; there are approximately the same number of footnotes that also appeared in the book for the first time. The texts collected in the book were not subjected to any opportunistic revision or updating - for this I answer with my own heart. In the end, the collection included about a third of what I wrote and published over three years - and articles that, in my opinion today, are outdated, were simply not included in the book.

The material in the book is organized thematically into sections, and within each section the articles are arranged not chronologically (or reverse chronologically) and not thematically, but alphabetical order. Moreover, the sections themselves follow each other in alphabetical order. Such, you know, rigid rotation, such, I beg your pardon, know-how. Of course, organizing material alphabetically is a purely formal technique, but this is exactly what I needed to emphasize internal unity articles differing chronologically, thematically, and sometimes even in genre. It was needed, not least of all, to emphasize the internal unity of the sections devoted to different aspects of our lives.

“Diagonal of Power” contains articles on, relatively speaking, political topics. The conventionality of the definition itself (ironically fixed already in the title) is explained by the fact that we are talking here not so much about politics - and we don’t have any politics! - how much about the reflection of what, due to a misunderstanding, is considered politics in the philistine (that is, in you and me, reader) consciousness. What has been instilled in us for years or, on the contrary, has been hushed up, is tested here primarily on elementary common sense.

Both in politics and in art, it is now customary to think: if you are not in the “box”, then you do not exist in nature. And the second section of the book is television criticism in itself. in a broad sense- is therefore naturally called the “Box Game”. Part talking heads moves into this section from “The Diagonal of Power,” and many others will appear more than once, as if on the screen (“Heads float on the screen like air bubbles,” an American poet wrote half a century ago), in further sections of the book.

Between the (absent) political and virtual television life, on the one hand, and the gardens of belles-lettres, on the other, there is a certain twilight zone, the extremely diverse inhabitants of which cannot be defined even theoretically, because they are united only by a categorical reluctance to accept strict forms and at least somewhat defined contours; in my book they (and the section dedicated to them) are called “Unnaturals”. Realizing some of the riskiness of this name, I’ll clarify in advance that we are not talking here only about “people of the moonlight,” and the author of this formula (the same Rozanov) called “people of the moonlight” not only adherents of same-sex love, although, of course, and them too.

Non-straight people (although, of course, they are not alone) often write poetry and prose. The main Writer of the Russian Land, in fact, is a certain Pupkin (more precisely, the collective Pupkin), who traditionally wins not by skill, but by number. The section “Praise to Pupkin” includes articles about current Russian literature. Pupkin has been reading me with particular interest and bias for fifteen years now and is offended by me more often, and most importantly, most strongly. And he even gave it to me once mailbox a lovingly coiled rope. And only occasionally - in a clumsy attempt to get rid of the insult - he sighs sadly: “What can you do about it! Toporov is a forest orderly!” But our literature is not a forest, but a jungle - and the one dedicated primarily to polemics is called “Jungle Orderly.” final section books.

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Books

  • Everyone kills their loved ones, Victor Leonidovich Toporov. The collection includes selected works master of poetic translation Viktor Leonidovich Toporov. Among the poems of English, German, Dutch and American poets, there are those that...
  • Hard rotation, Toporov Viktor Leonidovich. The book includes selected articles and feuilletons by Viktor Toporov, a cult author of both capitals, the Russian provinces and foreign countries, for 2003-2006...

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shopping center : rTPZHEUUYPOBMSHOSHE PGEOLY OEYOFETEUOSCH CHBN UCHPEK RTEDULBKHENPUFSHA?

Black Sea Fleet : chP-RETCHSHI, RTEDULBKHENPUFSHHA, B CHP-CHFPTSHCHI, S U ZPDBNY CHSTBVPFBM BVUPMAFOKHA BNPGYPOBMSHOKHA OEBCHYUYNPUFSH PF LFYI UKHTSDEOOK. fP, YuFP NPI TBVPFSCH ICHBMSF Y THZBAF, - LFP OPTNBMSHOP, OP LBTSDSCHK PFDEMSHOSCHK PFYSHCH OE CHSHCHCHBEF X NEOS BNPGYPOBMSHOPK PGEOLY.

yOPZDB VSHCHBAF PUPVEOOOP ZBDLYE CHEY, UCHSBOOSCH OE U PGEOLPK, B U RETEDETZYCHBOYSNY. h FBLPN UMHYUBE - S RP-UCHPENKH OBLBSCHCHBA LFYI MADEK.

shopping center : lBLYNYUCHPYNYY RETECHPDBNYY CHSC OEDPCHPMSHOSCH?

Black Sea Fleet : rP UBNPNKH CHCHUPLPNKH UUEFKH S OEDPCHPMEO UCHPYNYY RETECHPDBNYYYYMSHLE. NPS TSIJOEOOBS ZHYMPUPZHYS - NBLUINBMYIN, OP OE RETZHELGYPOIN. dMS FPZP YuFPVSHCH RETECHPDBI VSHMB FB TSE OBFHTBMSHOBS UFTKHLFKHTB, YuFP Y KH PTYZIOBMSHOSHI UFYIPCH, S YUBUFP OE DPDEMSHCHBA RETECHPDSH, UPOBFEMSHOP PUFBCHMSA PRYULY - YOBYUE CHPJOIL BEF PEHEEOYE YUTENETOPK ЪБМЪБOOПУФY. b TYMSHLE CH PFMYYUYE PF NEOS VSHM RETZHELGYPOYUFPN, UEKYBU UHYULY Y ЪBDPTYOLY CH NPYI RETECHPDBI TYMSHLNOE HCE OE OTBCHSFUS.

rP VPMSHYPNKH UUEFKH OE CHUE RPMKHYUMPUSH CH RETECHPDBI CHEMYLPZP BOZMYKULPZP RPFB KHYMSHSNB vMEKLB . with MEZLP Y VMEUFSEE CHSMUS UB RETECHPD EZP RPYY, NOPZP RETECHEM, UTEDY LFYI TBVPF EUFSH KHDBYY OEKHDBYUY, OP URKHUFS OEULPMSHLP DEUSFYMEFYK LFPK TBVPFE S UFBM TBCHOPDHYEO.

fBLCE WITH OEDPCHPMEO VPMSHYYN PVYAENPN UCHPYI TENEUMEOOSCHI RETECHPDPCH, IPFS FBN RPRBDBMYUSH TSENYUKHTSYOSCH.

shopping center : VSCCHBMP MY FBLPE, YuFP CHSC VTBMYUSH UB RETECHPD, OP RP LBLYN-FP RTYUYOBN EZP VTPUBMY? YMY YUFP-FP OE RPMHYUBMPUSH, YMY RPSCHMSMBUSH VPMEE YOFETEUOBS TBVPFB...

Black Sea Fleet : fBLPCHPZP OE VSHMP. with PYUEOSH PFCHEFUFCHEOOSCHK YUEMPCHEL.

shopping center : NPTsEF, ChSCH UBNY ЪBIPFEMY YUFP-FP RETECHEUFY, OP RPFPN CH LFPN RTPY'chedeoyy TB'PYUBTPCHBMYUSH...

Black Sea Fleet : oEF, S OE TBUBTPCHSHCHBMUS. vShchChBMP, SOE Refinery OBKFY L RPPFH LMAYU, IPFS FBLYI UMHYUBECH NBMP. fBLPE RTPYIPYMP, OBRTYNET, CH UMHUBE U RETECHPDPN UFYIPCH ЪТШ рБХОПБ . with RETECHY DBCE OBREYUBFBM OUEULPMSHLP EZP UFYIPFCHPTEOYK, OP KH NEOS PEKHEEOYE, YuFP LFB TBVPFB OE RPMKHYUMBUSH.

shopping center : chPCHTBEBEFEUSH MY CHSCH L UCHPYN UFBTSHCHN RETECHPDBN, TEDBLFYTHEFE?

Black Sea Fleet : rP-TBOPNH.

shopping center : b CH UMHUBE RETEYDBOYS?

Black Sea Fleet : eUMY RTYUSCHMBAF DPZPCHPT ABOUT RETEI'DBOYE, S EZP RPDRYUSCHCHBA, RTPYKH VPMSHYE DEOOZ Y OE CHZMSDSHCHBAUSH CH FELUF DP RETEY'DBOYS. еUMY CE RTPUSF RTYUMBFSH FELUFSCH, FP LPZDB RETEREYUBFSCHBA FELUFSCH UP UCHPYI UFBTSCHI VKHNBZ, S CHOYI YUFP-FP RPRKHFOP YURTBCHMSA. at ZPDBNY ЪBNEYUBEYSH FP, YuEZP OE CHYDEM TBOSHYE.

shopping center : lBL, RP-CHBYENKH, RETECHPDYUEULBS NBOETB ch.m.fPRPTPCHB U ZPDBNY - NEOSEPHUS?

Black Sea Fleet : oEF, OE NEOSEPHUS. x RETECHPDYUEULPK NBOETSH 2 RTYOBBLB - TBOPPVVTBIYE FChPTYUEULYI RTYENPCH, LPFPTSCHNY RETECHPDYUYL CHMBDEEF YMY LPFPTSCHE BY UBN YЪPVTEM, Y UPCHETYOUFChP CHMBDEOOYS DSHN YI OYI. CHUE UCHPY FChPTYUEULYE RTYENSH S YЪPVTEM CH RETYPD NPYI BLFYCHOSHI ЪBOSFYK RETECHPDPN, FP EUFSH U 23-35 MEF. UEKYUBU S FPMSHLP NPZH CHPCHTBEBFSHUS LOYN, OPCHSHCHI S HCE OE YEH Y EDCHB MY UNPZH OBKFY. YuFP LBUBEFUS UPCHETYOUFCHPCHBOYS, S OE YDH RP RHFY DBMSHOEKYEZP TBYFYS, RPFPNH YuFP S NBLUINBMYUF, B OE RETZHELGYPOYUF. with PUFBOPCHYMUS ABOUT FAIRIES 90%, LPFPTCHNOE OTBCHSFUS.

shopping center : lBL DBMSHYE, RP-CHBYENH, VKhDEF TBCHYCHBFSHUS PFEYUEUFCHEOOSCHK IHDPCEUFCHEOOSCHK RETECHPD?

Black Sea Fleet : MADI LOYTSOSCHI GYCHYMYYBGYK TSYCHHF CH UKhTSBAEENUS RTPUFTBOUFCHE: HIPDYF PVEEUFCHEOOSCHK YOFETEU, RETECHPDPN ЪBOINBAFUS CHUE VPMEE NBTZIOBMSHOSHE MYUOPUFY, LPFPTSCHE PVHYUBAF EEE VPMSHYI NBTZYOBMPCH, LOITSOKHA GYCHYMYYBGYA CHSHFEUOSAF DTHZIE ZHTNSCH DPUKHZB. x LFPZP SCHMEOYS ZHYMPUPZHULYE, PVEEUFCHEOOSCH, ZHJOBUPCHSHCHE Y DTHZIE PVPUOPCHBOYS. x OBU RPCHFPTYFUS ЪBRBDOBS UYFKHBGYS, LPZDB YUYUMP YUYFBFEMEK UETSHEOPK IHDPTSEUFCHOOOPK MYFETBFHTSCH UCHEDEFUS L 0.2%. rP PRTPUBN CH tPUUYY UEKUBU YUIFBAF 7% - LFP PYUEOSH NOPZP.

shopping center : CHCHYDYFE VPMEE NPMPDSCHI YOFETEUOSCHI RETECHPDYUYLPCH?

Black Sea Fleet : lP NOE RTYIPDIF 25-MEFOIK RBTEOSH - IPUEF YuFP-FP RETECHEUFY, S DBA ENKH O RTPVH RETECHEUFY PFTSHCHPL, ON OERMPIP RETECHPDYF, RPUME YuEZP S ЪBLBSCCHBA ENKH RETECHPD CHUEZP RTPYCHE DEOYS, U YUEN PO IPTPYP URTBCHMSEFUS. OP OEYCHEUFOP, UFBOEF MY BY RETECHPDYULLPN...

shopping center : b UFP LBUBEFUS TBVPFBAEYI RETECHPDUYLPCH?

Black Sea Fleet : lPZDB UKHEEUFCHPCHBMB YETBTIYS Y YOFETEU L RETECHPDH, L 40 ZPDBN RETECHPDYULY VSHMY HCE LTERLYNY, STLNY NBUFETBNY. fPZDB VSHMP NOPZP YOFETEUOSCHI RETECHPDYUYLPCH. OBRTYNET, LPZDB PUYS UPTPLB YUFBM UCHPK OPCHSHCHK RETECHPD, CH NBMPN ЪBME gdm OE VSHMP UCHPVPDOPZP NEUFB... rTYYUEN RTYIPDIMY OE FPMSHLP EZP DTHYSHS, OP Y NBUFETB RETECHPDB. lBLPK RETECHPDYUYL UPVETEF UEKYUBU NBMSHCHK UBM gdm?..

zMBCHOPE OBUMBTSDEOOYE RETECHPDYULB - TBDPUFSH KHZMKHVMEOOPZP YUFEOYS, UCHPEPVTBOSCHK RPMPCHPK BLF U RPOTBCHYCHYENUS FELUFPN. YuFEOYE - RPDPVOSHCHK BLF, OP RETECHPD LHDB VPMEE YOFEOUYCHOSCHK.

shopping center : lFP CHBYY MAVYNSCHE BCHFPTSCH? lPZP RETEUYFSHCHBEFE?

Black Sea Fleet : rPUMEDOEE CHTENS OILZP OE RETEUYFSHCHBA. UEKYUBU S PFLMBDSCHBA LOYZKH U NSCHUMSHA, UFP, L UPTSBMEOYA, S HCE OYLPZDB EE OE RETEYUYFBA.

shopping center : h UCHPEN YJDBFEMSHUFCHE "mYNVKHU RTEUU" CHSHCH REYUBFBEFE UCHPYI MAVYNSHI BCHFPTPCH?

Black Sea Fleet : BUEN? NPS GEMSH YJDBCHBFSH BCHFPTPCH, LPFPTSHCHE DPUFPKOSHCH MAVCHY, OP EE OE RPMKHYUMY. NPS GEMSH - CHPUUFBOPCHMEOYE URTBCHEDMYCHPUFY, CHPDDBFSH FEN, LPNH OE CHPDBOP, Y RMPIP CHPDBFSH FEN, LPNKH CHPDBOP YUTENETOP IPTPYP. OP RPUMEDOEE - LFP HCE NPK DPMZ LBL MYFETBFHTOPPZP LTYFYLB.

shopping center : YuYFBEFE MY CHCH RETECHPDOHA MYFETBFHTH?

Black Sea Fleet : fPMSHLP RP PVSBOOPUFY.

shopping center : YUSHY RETECHPDSH Y LBLYI RTPY'CHEDEOYK RPOTBCHYMYUSH CHBN CH RPUMEDOEE CHTENS?

Black Sea Fleet : rPNYNP FAIRIES, LPZP S OBA Y GEOA, NPE CHOYNBOYE RTYCHMELMY TBVPFSH vBVLPCHB. with RTPYUYFBM EZP RETECHPD

UEKYBU X RTPDCHYOKHFPK YUYFBAEEK NPMPDETSY HUFBOPCHLB ABOUT RMPIPK RETECHPD, ULCHPSH OEHLMATSYK RETECHPD POB IPUEF KHCHYDEFSH PTYZIOBMSHOPE BCHFPTULPE TEYEOYE, DPNSHUMYFSH, RTECHTBFYFSH LOYZH CH YOFETBLFYCHOPE YUFEOYE. lFPK BKhDYFPTYY OEYOFETEUOP RPMKHYUBFSH ZPFPCHHA RETECHPDYUEULHA CHETUYA, ULCHPSH LPFPTHA OE RTPVYFSHUS L BCHFPTKH. ьФХ ЪБДБУХ РМПИИЕ КРЭЦПДУИЛІ ЧШЧРПМОСaf OEChPMSHOP, B IPTPYE U OEK VPTAFUS. nPTsEF VShchFSH, LFB VPTSHVB OENOPZP BOBITPOYUFYUOB...

shopping center : YuEN, RP-CHBYENKH, UPCHTENEOOBS RETECHPDYUEULBS NBOETB PFMYUBEFUS PF RETECHPDB 20-MEFOEK DBCHOPUFY?

Black Sea Fleet : rTETSDE CHUEZP - PFUHFUFCHYEN YDEPMMPZYUEULYI Y NPTBMSHOSHI LHRAT. UEKUBU OE OBDP RTYVEZBFSH L ЪPRPCHH SJSHLH; OBPVPTPF, UPCHTENEOOOSCHK RETECHPDYUYL HUYMYCHBEF RPDPVOSHCH NNEOFSH. UMPCHB YUEFSHTEI VHLCH OERTENEOOOP RETECHPDYF NBFPN, IPFS LFP UPCHUEN OE PVSBFEMSHOP.

fBLCE DMS UPCHTENEOOOPZP RETECHPDYULB YUTECHSHCHYUBKOP IBTBLFETOPE KHRPFTEVMEOYE UMEOZB, RPMHRETECHEDEOOOSHI UMPC, RP RTEINHEEUFCHH U BOZMYKULPZP.

rPNOA, LBL RTY RETECHPDE PDOPZP TPNBOB S UFPMLOHMUS U RTPVMENPK - FBN ZPCHPTYMPUSH P RTEDNEFE, LPFPTSCHK S OILPZDB OE CHYDEM. with DPMZP Y NHYUYFEMSHOP PRYUSCHCHBM LFPF RTEDNEF, LFPF PFTSHCHPL RETECHPDB NOE OTBCHYMPUSH. OP FHF LP NOE CH ZPUFY CH RETEDEMLYOP RTYEIBMY NPI NPMDSCH RTDPDCHYOHFSHCHE DTHYSHS, KH LPFPTSCHI VSHM LFPF RTEDNEF. "LBL LFP OBSCHCHBEFUS?" - URTPUYM S. - "REKDCET".

shopping center : CHCH UPZMBUOSCH U NEOYEN, YuFP OBYUBMSHOSCH UFTBOYGSCH RETECHPDB UMBVEE PUFBMSHOPK TBVPFSCH?

Black Sea Fleet : dB, S ULMPOEO FBL DKHNBFSH. RETECHPDYUYL ULPMSHLP HZPDOP NPTSEF CHPCHTBEBFSHUS L OBYUBMKH TBVPFSCH Y DEMBFSH YCHSHCH, OP IPFS VSH PDYO HYEM DB PUFBOEFUS. h RETCHPK ZHTBIE RETECHPDB NPTSEF VSHFSH, L RTYNETKH, NOPZP NEUFPYNEOYS "PO": "PO RPDPYEM L OENKH". eUMY CHSHCHHVYTBEFE PDOP YI OYI, TBTYBEFUS UYOFBLUIYUEULBS LPOUFTHLGYS - B MPZYUEULYE UCHSY EEE OE TBVPFBAF. bFB FEIOPMPZYUEULBS RTPVMENB BLFHBMSHOB.

CHYUETB CHYUETPN WITH PFTEDBLFYTPCHBM 5 MYUFPCH RPCHEUFY CH RETECHPDE pMSHZY dTPVPF. OB RETCHPK UFTBOYGE S UDEMBM 20 YURTBCHMEOYK, OB UMEDHAEYI 5-FY RTYNETOP 5, DBMSHYE RP 1-2, B GEMSHCHY CHPPVEE PUFBMYUSH VEYURTBCHMEOYK - Y OE RPFPNH, YuFP S KHUFB M YMY PVMEOYMUS.

with OE UMSHCHYBM, YUFPVSH P "RTPCHYUBOYY" OYUBMB LFP-FP ZPCHPTYMY, OP LFP UPCHETYOOOP PYUECHYDOP.

shopping center : pV LFPN CH YOFETCHSHA ZPCHPTYM b.s.mYCHETZBOF...

Black Sea Fleet : according to RTPUFP IPFEM PVASUOYFSH, RPYUENH CHUE EZP RETECHPDSH TBNETPN CH RPM-UFTBOIGSHCH. (sHFLB).

VUEEDPCHBMB eMEOB lBMBYOYLPCHB